Vintage Gear

Alesis Midiverb III

The latest instalment in Alesis' classic effects series, the MIDIverb III, is something of a cross between an upgraded MIDIverb II and a cut-down Quadraverb - it includes four effects sections which can be used simultaneously, but doesn't quite have the power or flexibility to stand on a par with the Quadraverb. On the other hand, it is fully programmable and offers more effects facilities than the MIDIverb II, and is therefore a major step forward in this respect. The MIDIverb III comes in a standard 19" rackmount case, and is supplied with an external power supply. There is no power switch, so you either have to switch power off at the mains or pull out the adapter plug if you want to turn the unit off. The front panel sports three knobs, for Input, Output and Mix levels. These are global controls, determining levels for all effects Programs. Next to these are Signal and Clip LEDs, and a three-digit LED display.

Gregory Prestige Mark X

A vintage 1966 Gregory Prestige Mark X tube combo amp. Like many 60s American "off-brand" amps, the Mark X has a build quality and tone that punches way above its price tag. This handwired amp features thick, crunchy overdrive tone with plenty of top end sparkle--reminicient of a vintage AC15. It also sports an incredible all-tube tremolo.

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Hamer Phantom

USA Hamer Phantom A5 3 on a side from the mid 80s.A colabaration between Joe Dansig and Andy Summers.Honduran Mahogany body, Pau Ferro fingerboard

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Ibanez BL50 Blazer

The BL50 is a Blazer series solid body electric guitar model introduced by Ibanez for 1981. It was made in Japan by Dyna Gakki. The Blazer series is a line of guitars with styling similar to the Fender Stratocaster. The BL50 features a mahogany body bolted to a maple neck with a 21-fret maple fingerboard with black dot position markers. Components include a pair of Ibanez Super 70 humbucking pickups without covers mounted in a black pickguard with a phase switch, a machined brass fixed bridge and Super Tuner II machine heads.

JL Cooper PPS-1

The PPS-1 allows MIDI sequencers and drum machines to sync to tape and gives them the ability to "chase tape". This feature resembles SMPTE in that the tape can be started anywhere in the song. Conventional sync boxes require that you always start at the beginning of the song

Korg 03R/W

The 03R/W is a rompler module from the nineties - a Korg 01 budget spinoff module with less synthesis features but added a GS/GM Midi feature

Korg EXB-PCM04 Dance Extreme

16MB Dance Extreme Expansion for Triton/Karma

Korg MiniKORG

The miniKORG 700 is a monophonic analog synthesizer released by Korg in 1973, marking their entry into mass-produced synthesizers and their first monophonic synthesizer.[2][3] It was initially designed to be placed on top of an organ, so its controls are located below the keyboard facing towards the performer. An updated model, the miniKORG 700S, was launched in 1974, introducing a second oscillator that could be detuned, along with additional sustain and vibrato controls

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Korg P3

A compact rack style piano brain from the late '80's that delivers classic Korg M1-era digital piano sounds.

Korg Triton LE

The Korg Triton Le (released in 2002) is a stripped-down, budget-friendly version of Korgs flagship Triton workstation. It delivers the legendary Triton Hyper Integrated (HI) sound engine and 16-track sequencer, but drops the touchscreen, floppy drive, and heavy expandability to achieve a lighter, more affordable package

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Korg X3

The Korg X3 is a classic 61-key music workstation released in 1993 as a successor to the legendary Korg M1. Known for its punchy 16-bit PCM sounds and robust 16-track sequencer, it remains a reliable and affordable vintage synth

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Kurzweil 1000 PX

Released in the late 1980s, the Kurzweil 1000 PX is a 2-rackspace digital sound module. It is a legendary ROMpler and synthesizer that brought the studio-quality samples of the flagship Kurzweil K250 to a more affordable unit. It features 24-note polyphony and comes with 120 classic presets, including acoustic pianos, strings, brass, organs, and choirs. It is celebrated for its deep synthesis engine, multi-stage envelopes, and gorgeous string and piano patches.

Kurzweil 1000HX

Another great sound module from Kurzweil. This one has a great sample library of horns and has 20 note polyphony, but don't waste your time if you want pianos and synth sounds, buy the 1000PX instead. What the 1000HX offers is an excellent collection of brass sounds, almost everything you'll need.

Moog Source Membrane

If the face of your Source has fallen off, here's a new one

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MOTU 896

The Motu 896 FireWire is a high-performance interface designed for both recording and live applications. Features: 28 inputs, 32 outputs, eight-channel 24-bit 192 kHz analog recording/playback, USB 2.0, sixteen-channel digital optical i/O

MXR Distortion Plus

Can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the pedal produces an extreme fuzz with long sustain.

Roland Juno-6

The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage. The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control.

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Roland TR-626

The Roland TR-626 Rhythm Composer (released in 1987) is a vintage, 12-bit digital drum machine featuring 30 PCM drum and percussion sounds. It is highly prized for its classic 80s lo-fi sounds, flexible routing with eight individual outputs, and robust MIDI implementation.

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Roland U-110

Roland's first totally digital sample-based synth.

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Silvertone 1474

The 1474 is the 5th of the 6 Twin Twelves Silvertone marketed, all made by Danelectro. The 1474 is loud, bright and articulate, a perfect pedal platform. It sports its original pair of tasty Alnico Jensens, 4 6L6, tremolo, reverb and its original wood footswitch.

Studio Electronic SE-1

The SE-1 is an analog, monophonic synth-module designed to re-create that classic Moog sound perfect for Hip Hop, R&B and Dance music. The classic Moog sound comes from its distinctive 24 dB lowpass voltage controlled analog filter. There is also a 12 dB low-/band-pass filter which emulates the classic sounds of Oberheim synthesizers. The SE-1 uses three discrete voltage controlled analog oscillators for genuine analog synth sounds. And that's three VCO's, just like the Minimoog. They offer the basic waveforms you would expect from any analog: triangle, sawtooth, reverse sawtooth, square, noise, and random. There are also 4 multi-stage ADSR envelope generators used to shape your sound, the filter and more. Also available are Ring Modulation and Glide/Auto-Glide effects.

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Yamaha DX100

The DX100 is a small and portable budget DX synthesizer from Yamaha. Like all DX's it uses (FM) Frequency Modulation synthesis. It's not the easiest form of synthesis to program but can result in some excellent sounds. The DX100 is not as flexible nor powerful as a DX7, but it does have some cool sounds. It is most renowned for its great analog bass sound (Patch #01) that is awesome for techno, house, jungle, and acid music styles; it's very gritty, the bass tone with gristle

Yamaha DX7 Rom 4

The Yamaha DX7 ROM 4 is a vintage hardware cartridge loaded with 64 classic FM (Frequency Modulation) synthesis sound patches. It gives your synth authentic 1980s orchestral, percussive, complex, and sound-effect (SFX) tones

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Yamaha TX802

Despite its name, the TX802 FM Tone Generator is basically a rack-module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and/or key mapping. It has 16-voices of polyphony and six digital FM Operators, the same as in the DX7mkII. There are 128 preset and 64 user patches for your sounds, as well as an external memory cartridge slot.

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