Vintage Gear

Access Virus B

The original Virus A had 12-voice polyphony, but the new OS in the Virus B doubles the polyphony from 12- to 24-voices and the oscillators, from 2 to 3 per voice. The new OS also added an enhanced programmable 32-band vocoder. There are now up to 82 simultaneous effects, a retro-phaser (6-stage stereo phaser with 24 filter-poles), chorus/flanger, ring modulator, multiple forms of distortion, an analog boost algorithm, and an envelope follower.

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Alesis Midiverb III

The latest instalment in Alesis' classic effects series, the MIDIverb III, is something of a cross between an upgraded MIDIverb II and a cut-down Quadraverb - it includes four effects sections which can be used simultaneously, but doesn't quite have the power or flexibility to stand on a par with the Quadraverb. On the other hand, it is fully programmable and offers more effects facilities than the MIDIverb II, and is therefore a major step forward in this respect. The MIDIverb III comes in a standard 19" rackmount case, and is supplied with an external power supply. There is no power switch, so you either have to switch power off at the mains or pull out the adapter plug if you want to turn the unit off. The front panel sports three knobs, for Input, Output and Mix levels. These are global controls, determining levels for all effects Programs. Next to these are Signal and Clip LEDs, and a three-digit LED display.

Alesis Nanosynth

The NanoSynth is probably the 'fattest' little Nano-anything in the world! Unlike Alesis's other Nano-modules which offer 256 preset sounds, the NanoSynth doubles that to 512 and adds another 128 of user-programmable patches - a first for the Nano-modules. It also added stereo audio inputs and a built-in serial RS232 jack for direct Mac or PC connections, and full 16-part multitimbral operation.

Gregory Prestige Mark X

A vintage 1966 Gregory Prestige Mark X tube combo amp. Like many 60s American "off-brand" amps, the Mark X has a build quality and tone that punches way above its price tag. This handwired amp features thick, crunchy overdrive tone with plenty of top end sparkle--reminicient of a vintage AC15. It also sports an incredible all-tube tremolo.

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Hamer Phantom

The Hamer Phantom guitar was launched during Hamers expansion in the 1980s, when the company moved to larger facilities in Arlington Heights, Illinois. This model was designed by Glenn Tipton of Judas Priest and features a traditional superstrat double cutaway design. It is equipped with EMG pickups, making it well-suited for heavy metal music. The Phantom GT, a variation of the Phantom, is still used by Tipton in live performances

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Ibanez BL50 Blazer

The BL50 is a Blazer series solid body electric guitar model introduced by Ibanez for 1981. It was made in Japan by Dyna Gakki. The Blazer series is a line of guitars with styling similar to the Fender Stratocaster. The BL50 features a mahogany body bolted to a maple neck with a 21-fret maple fingerboard with black dot position markers. Components include a pair of Ibanez Super 70 humbucking pickups without covers mounted in a black pickguard with a phase switch, a machined brass fixed bridge and Super Tuner II machine heads.

JL Cooper PPS-1

The PPS-1 allows MIDI sequencers and drum machines to sync to tape and gives them the ability to "chase tape". This feature resembles SMPTE in that the tape can be started anywhere in the song. Conventional sync boxes require that you always start at the beginning of the song

Korg 03R/W

The 03R/W is a rompler module from the nineties - a Korg 01 budget spinoff module with less synthesis features but added a GS/GM Midi feature

Korg Cymbal 1 Card for DDD-1

Crash Cymbal sounds

Korg DDD-1 Rom Cart Latin 3 DDC-B03

Timbales, Bongo, Ago-go, Brazilian Whistle, Splash Cymbal

Korg EXB-PCM04 Dance Extreme

16MB Dance Extreme Expansion for Triton/Karma

Korg M1

The M1 was and still is a popular and widely used digital synthesizer and music workstation. The M1 features built-in AI Synthesis for full digital generation and processing using 4MB of PCM sampled and synthesized waveforms which can be shaped using analog-style editing. The M1 is capable of creating acoustic instruments with clarity, nice digital sounds and good buzzy techno sounds. The M1 is sort of like a workstation-version of the Roland D-50. In addition to its acclaimed sound, it has a somewhat sophisticated 8-track sequencer. It holds 10 songs and 100 patterns and up to 7,700 notes, and offers full quantizing and editing. Full MIDI implementation suites the M1 ideally for studio production and MIDI system use. Up to 8 parts of multitimbrality with the 8 track sequencer makes for a powerful machine. Add to that a host of digital multi-effects and you've got one of the most widely and professionally used Korg synthesizers around.

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Korg MiniKORG

The miniKORG 700 is a monophonic analog synthesizer released by Korg in 1973, marking their entry into mass-produced synthesizers and their first monophonic synthesizer.[2][3] It was initially designed to be placed on top of an organ, so its controls are located below the keyboard facing towards the performer. An updated model, the miniKORG 700S, was launched in 1974, introducing a second oscillator that could be detuned, along with additional sustain and vibrato controls

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Korg MPK-130

The Korg MPK-130 MIDI Bass Pedals are designed for controlling synthesizers and other MIDI instruments. It can control any synthesizer module or keyboard that has MIDI

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Korg P3

A compact rack style piano brain from the late '80's that delivers classic Korg M1-era digital piano sounds.

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Kurzweil 1000HX

Another great sound module from Kurzweil. This one has a great sample library of horns and has 20 note polyphony, but don't waste your time if you want pianos and synth sounds, buy the 1000PX instead. What the 1000HX offers is an excellent collection of brass sounds, almost everything you'll need.

Kurzweil Micropiano

W/Power Supply, Classic Piano Module

Moog Source Membrane

If the face of your Source has fallen off, here's a new one

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MOTU 896

The Motu 896 FireWire is a high-performance interface designed for both recording and live applications. Features: 28 inputs, 32 outputs, eight-channel 24-bit 192 kHz analog recording/playback, USB 2.0, sixteen-channel digital optical i/O

MXR 10 Band EQ

No matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. With ten carefully chosen frequencies and both input and output level controls, the 10-Band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more.

MXR Distortion Plus

Can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the pedal produces an extreme fuzz with long sustain.

Roland CR-78 W/Midi

The CR-78 is a really great little box from Roland. It's a classic analog Rhythm Machine, not a drum machine, and was the first to use a microprocessor. It has 34 built in preset rhythm patterns which can be varied at the push of a button. These patterns include Rock, Disco, Waltz, Shuffle, Slow Rock, Swing, Fox Trot, Tango, etc... Some are cool, but the ability to vary them gives you some creative control. As for the drum sounds, the CR-78 offers 14 very electronic yet analog drum tones. Sounds include Kick, Snare, Rim, Cow Bell, HiHats, Cymbals, Congas, Bongos, Tambourine and Guiros. With 11 variation effects and the ability to adjust Tempo, accents, and fade in/outs the CR-78 is still capable of producing nice rhythms for use in ambient, HipHop, dub, and other electronic forms of music.

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Roland Juno-6

The first in a series of amazingly affordable quality synthesizers from Roland's amazing Juno family! The Juno-6 is a six voice polyphonic analog synthesizer! It's a very stable synth thanks to its digitally controlled analog oscillators. The Juno-6 sounds great, however it lacks basic necessities like MIDI control and patch memory storage. The next generation Juno-60 version added 56 patches of memory storage. Both of these synths sound virtually the same and are considered by many to sound better (punchier) than the popular follow up, the Juno-106. The Juno-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can overlook the absence of MIDI control.

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Roland JX-3P

The JX-3P is something of a hidden treasure ? there is more to it than meets the eye. It came out about the same time as the venerable JUNO series, but represents a shift away from the traditional analog synthesizer interface and towards a less hands-on format. The JX-3P was mostly aimed towards players looking for those great stable Roland sounds of the time, but with immediate Preset-based access to them, and only the most basic and newbie-friendly of on-board controls to adjust them. (Note the space reserved on-board for holding sheet music in place.)

Roland SN-U110-01 Pipe Organ and Harpsichord

For the U-110-U-220. 6 harpsichords 6 standard organs 8 church organs

Roland U-110

Roland's first totally digital sample-based synth.

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Silvertone 1474

The 1474 is the 5th of the 6 Twin Twelves Silvertone marketed, all made by Danelectro. The 1474 is loud, bright and articulate, a perfect pedal platform. It sports its original pair of tasty Alnico Jensens, 4 6L6, tremolo, reverb and its original wood footswitch.

Tascam 144

In 1979, TEAC launched the groundbreaking TEAC 144 PORTASTUDIO?the world's first four-track multitrack recorder using a standard cassette tape. Compact yet high-quality and affordable for individuals, the arrival of the "144" transformed music production from an exclusive experience reserved for professional studios into one accessible to everyone. Its innovation earned accolades from publications such as Billboard and Pro Sound News, calling it "the most revolutionary product in history."

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Yamaha DX7IIFD

The DX7IIFD added a Floppy Drive (that's what the FD stands for) offering one megabyte of memory space (equal to 40 RAM cartridges) for thousands of voices, fractional scaling, SysEx data and more

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Yamaha TX802

Despite its name, the TX802 FM Tone Generator is basically a rack-module version of the DX7mkII with full 8-part multi-timbral operation for sequencing and/or key mapping. It has 16-voices of polyphony and six digital FM Operators, the same as in the DX7mkII. There are 128 preset and 64 user patches for your sounds, as well as an external memory cartridge slot.

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