Akai MFC42
The MFC42 is a true analog filter module designed by Akai for their MPC-series gear. However, you can use it to process any sound source since it has basic 1/4" inputs and outputs and MIDI! It has genuine analog filters for that warmer tone with Lowpass, Highpass, Bandpass, and Notch filter types. It consists of a MONO filter section and STEREO filter section. The MONO section offers 2-, 4-, and 8-pole filter slopes. The STEREO section offers 2- and 4-pole filter slopes. The MONO 8-pole slope utilizes the whole filter circuitry so the STEREO section is not active. Likewise, the MONO section is inactive when the STEREO section is in 4-pole mode. But when both sections are used simultaneously, they can be linked so that the MONO filter's control knobs control both MONO and STEREO sections. The link can also be inverted so the two sections sweep in opposite directions.
Consignment
$1095.00
AKG Lyra
AKG Lyra is perfect for creating podcasts, YouTube videos, music and more with 4k-compatible, Ultra HD audio quality. Featuring cutting-edge AKG Internal Element Overload Prevention, an internal shockmount and built-in sound diffuser, Lyra automatically reduces noise and improves signal levels for optimal performance. The four-capsule AKG Adaptive Array offers versatile capture modes that eliminate guesswork, so you can quickly get professional sound.
$75.00
Alesis 3630
Since its introduction, the 3630 Compressor? has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise.
$79.00
Alesis MultiMix 12R
Who said you cant take it with you? Our MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers ? all at prices wandering musicians will love. MultiMix FX mixers are the most compact, affordable, high-quality mixers with built-in 28-bit digital effects and choice of configurations. For those who dont need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, we offer the MultiMix 12R.
$179.00
Antares ATR-1
Rackmount autotune unit based on a plugin. The ATR-1 has two modes, Program and Song mode. There are fifty programs, each with its won settings for scale, speed & vibrato. Programs can be switched via midi or a footswitch. Song mode is more for live performance. There are twenty songs with up to 15 song steps each. These can be switched as before via midi or footswitch, and each has speed & vibrato settings Inputs & outputs are line-level, balanced on XLR connectors & TRS jacks
$250.00
Apogee Ensemble Thunderbolt
Apogee has squeezed every ounce of their digital audio expertise into the newly-rebuilt Ensemble Thunderbolt, setting yet another standard for sound quality, performance, and functionality. By utilizing blazing-fast, cutting-edge Thunderbolt 2 technology, the Ensemble Thunderbolt gives you ultra-low latency and unmatched CPU efficiency, allowing you to monitor more effectively, record more tracks, and process more plug-ins. Of course, the Ensemble Thunderbolt's eight digitally-controlled mic preamps and premium AD/DA converters give you the phenomenal sound quality you'd expect from Apogee
Consignment
$895.00
Art P16
Convenience, performance, and a nice price! ART's P16 is a handy XLR to XLR patchbay, which makes a great way to manage mic preamps and outboard gear with rear-facing XLR jacks - without digging through your rig. All the connections in the P16 are made with ultra-reliable PCB wiring, so you know this bay won't let you down (and, it will serve you well for years to come). You get 32 XLR connectors (16 female on the front, 16 male on the rear panel) plus reversible rack ears. Make your setup as efficient as possible; start with the P1
Just In!
$60.00
Audio Authority 1154
The Model 1154 allows one of four signal sources such as satellite or DVD to be played on a home theater system. It uses proprietary Adaptive Signal Sensing? technology to switch between multiple sources automatically. The high bandwidth circuitry accepts Y Pb Pr component video, stereo analog audio, and digital audio in both optical and coaxial formats, and switches all audio and video signals simultaneously when a new source becomes active. Digital audio signals are converted automatically to the desired format
Consignment
$50.00
Audio-Technica AT4050
The AT4050 is one of Sweetwater's best-selling vocal mics, and for good reason! Utilizing a low-noise transformerless design and multiple polar patterns, the AT4050 is ideal for use in the most demanding recording situations. It uses dual gold-plated, aged, large-diaphragm condenser elements for extended frequency response, while floating construction elements provide isolation from noise and vibration.
$395.00
Audio-Technica ATM350 With AT8542 Power Module
The low-profile ATM350 is an exceptional cardioid condenser microphone designed to clip to brass, upright bass, reeds, piano, snare, toms, and violin. The microphone offers a crisp, clear, well-balanced response, even at high SPLs. It features an integral 80 Hz hi-pass filter on the in-line power module. Its cardioid polar pattern reduces pickup of sounds from the side and rear for effective protection against feedback
$195.00
Avantone CLA-10
Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord-Alge, have designed the most faithful reproduction of the worlds most iconic studio monitor. Now everyone can mix on the monitors that define ?the hitmaker sound?. A tremendous amount of design work and exacting detail have finally made the ?white cone? monitors available to everyone!
$495.00
Avid Audio Splitter
The AVID Audio Splitter is a versatile device that allows you to split one XLR male connection into two XLR female connections for easy audio sharing. Its compact and portable design makes it perfect for on-the-go musicians and audio professionals. The splitter has a sleek black color and measures 7.25 inches in length and 5.5 inches in width. This Audio Splitter from AVID is suitable for use in various settings, including live sound, recording studios, and broadcasting. It is a high-quality device that is made in the United States, and it is compatible with a wide range of audio equipment. Whether you are a musician or an audio professional, this splitter will help you to achieve clear and high-quality sound
Consignment-Price Drop
$100.00
BBE 402
When you need just the slightest touch of sonic bliss as a finishing touch to your sound ~ you won't need to look any further than your BBE Maxie. Unlike many Aural Exciters or equalizers, the BBE Maxie does not add any extra noise or harmonics to your sound. This means that you won't be adding future problems in duplication or mastering of your music caused by aberrant high frequency distortion. The BBE Maxie is a dual channel enhancer designed to operate with -10dBu levels. It works by applying phase correction to your high frequencies (which it does by splitting the sound into 3 bands, crossover frequencies being 150Hz and 1200Hz, and applying delays to the two lower bands). Your high band frequencies pass through a VCA and are controlled in relation to the mid band. There are two modes - 'Auto' mode provides dynamic response so that the BBE Maxie expands or compresses the high band in relation to the mid, while in 'Manual' a factory preset expansion ratio is applied. Each channel gives you a Lo-contour and a Definition knob. Lo-contour is for bass EQ at 50Hz, Definition regulates the processing of the high band in relation to your mids and effectively adds more top end.
$59.00
BBE 802
The BBE 802 is a cutting-edge audio processor renowned for its ability to enhance sound quality and ensure optimal audio performance across various applications. This device is designed for both professional and personal use, making it a highly versatile addition to any audio setup. One of the standout features of the BBE BBE 802 is its proprietary Sonic Maximizer technology. This technology works by restoring the harmonic content of audio signals, providing a more vibrant and clear sound. The Sonic Maximizer reduces muddiness and enhances articulation, ensuring that every note and syllable is heard with clarity. This feature is particularly beneficial for live sound reinforcement, studio recordings, and home audio systems
$80.00
Behringer HA-4700 Powerplay-XL
Does your project studio need a headphone amplifier? If so, you'll be hard-pressed to find a better bang-for-your-buck value than Behringer's Powerplay HA6000. The Powerplay HA6000 features six independent amplifier sections that provide up to six stereo mixes with individual Balance controls. You can adjust each section separately for "more me" mixing, and stereo auxiliary inputs for each channel make adding in any extra sound source easy. Beyond that, you can customize your individual mix, thanks to a Bass and Treble EQ on each channel. Each channel on the Powerplay HA6000 also boasts an Output Level control with 8-segment LED meter, Mono L/Mono R switches, and dual headphone outputs
$99.00
Behringer X-Touch One
A control surface like the Behringer X-Touch One is a great way to take command of your mix. Writing automation is easy with its touch-sensitive motorized fader. A rotary encoder and 34 illuminated buttons provide direct access to key functions. An LCD scribble strip and 8-segment LED meter give you a birds-eye view of your project. You also get a large jog wheel and tape-style transport controls for easy navigation of your DAW. Compatibility isn't an issue for the X-Touch One ? it supports HUI and Mackie Control protocols with presets for every major DAW. Thanks to the X-Touch One, you'll never have to mix with a keyboard and mouse again
Just In!
$119.00
Beyerdynamic M260.80 (Pair)
The M 260 is a hypercardioid ribbon microphone. This production version, called the ?M 260.80,? has a reduced low-end frequency response; the ?.80? suffix denotes a fixed high-pass filter at 80Hz, implemented within the mics output transformer. This filter is not switchable. It is designed to reduce the natural proximity effect of the ribbon transducer to improve its utility for close-miking applications.
Consignment - Just In!
$1295.00
Blue Buebird
Large Diaphragm Cardioid Condenser Microphone is designed to deliver the same high-quality audio that mic users have come to expect from Blue. Boasting a unique look and highly versatile performance, this pressure gradient cardioid microphone utilizes Blue's renowned mic technology and a Class-A discrete amplifier circuit. The Bluebird microphone can be used in any number of applications, from vocals to guitars, close-miking of drums or drum overheads, percussion, piano, horns, strings, or anywhere else where crystal-clear sound is the top concern.
Just In!
$99.00
Blue Dragonfly
Blue Microphones' Dragonfly is not your jack-of-all-trades microphone. Rather, this elegant mic is a specialist, a creative tool you use to finesse vocals, guitars, pianos, drums, and other sources with stunning clarity, delicate nuance, and shimmering air. Together with its unique rotating capsule head and high SPL rating, the Dragonfly's notably tight cardioid polar pattern (almost hypercardioid at higher frequencies) gives you positioning flexibility you won't find with other large-diaphragm condensers. The Dragonfly's frequency response is not flat. Its smooth presence bump rises gently from 4kHz, with peaks around 6.5kHz and 10kHz ? perfect for vocals and instruments you want to feature in the mix.
$450.00
Blue Snowball
Few USB microphones are as instantly recognizable as the Blue Snowball even in 2022. This classic ball-shaped mic has been making the rounds now inside the bedrooms of every would-be podcaster and musician around, though, even well over a decade after its introduction, the Blue Snowball is easily up there as one of the best microphones around in our view.
$39.00
CAD D84
Part of the CADLive? series, the D84 is a large-diaphragm condenser designed for stage amplification. The capsule is a single-diaphragm K67 type, with high sensitivity (30mV/Pa). The circuitry is transformerless, but relatively noisy at 19dBA. The D84 shares the styling of the D82 ribbon and D80 dynamic microphone from the CADLive? series.
Consignment
$179.00
Cad m9
The M9 is a cardioid single tube externally biased condenser microphone that features servo-valve technology. It's a natural bridge between the valve technology developed for CAD's VX2 microphone and the servo op-amp technology developed for their M-Series mics. The M9's head amp is a 12AX7 tube in a circuit optimized for super wide dynamic range and low noise. The output stage (balanced high speed dual op-amp) allows for long cables without affecting microphone performance.
$149.00
Crown CTs 8200
Features High power density. All two channel models and four channel model in a 2RU chassis, eight channel model in a 3RU chassis Crown Switching Power Supply for lighter weight Selectable "Constant-Voltage" or low-impedance (4/8 ohm) operation per channel on 2-channel models, and per channel-pair on 4-and 8-channel models 100V direct outputs on CTs 2000, CTs 3000, CTs 4200, and CTs 8200 Legendary Crown class-I (BCA) and AB B output topologies offer the best in amplifier reliability 4- and 8-channel models offer perfect independent power solutions for multi-zoned systems? "FIT" (Fault Isolation Topology) circuitry on 4- and 8-channel models isolates fault conditions without affecting neighboring channels Comprehensive array of indicators provide accurate diagnostics Two-channel models are fully PIP2-compatible. Multi-channel models accept MC accessory modules.
$175.00
Crown PZM6D
The Crown PZM-6D is a Pressure Zone Microphone with an attached cable. It's designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The mic has a switchable dual frequency response: rising (R) or fl at (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. The PZM-6D has a smaller plate and its low profile, unobtrusive appearance is appreciated in conference rooms, as well as on television, film and video productions. When suspended over an orchestra on a clear panel, the PZM-6D practically disappears. Its miniature, permanently attached 15-foot cable also reduces visual clutter. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss.
Consignment - Just In!
$295.00
DBX 1046
Don't mess with a good thing? If the people at dbx have heard that old saying, they aren't listening. With the new 1046, they took the already excellent 1066, decided that if 2 channels of compression were good, then 4 channels of compression would be even better. With the dbx 1046 you get 4 independent channels of operation, stereo linkable in two pairs, and PeakStopPlus limiting control for setting maximum allowable level regardless of compressor settings. the dbx 1046 gives you twice as much of everything that was in the 1066 - but in the same size package, and NOT at twice the price
$125.00
dbx 1531X
Your dbx 1531X unit is a versatile, compact, one rack-space equalizer. A rear panel MONO/STEREO Mode switch selects operation either as a 31- band 1/3 octave EQ or as a dual 15-band 2/3 octave EQ. In either mode, the filters feature a constant-Q topology which reduces interaction between adjacent bands to ensure close correlation between the filter settings and the actual frequency response of the 1531X. The metal-shaft faders have an unusually long throw for a single rack-space EQ, and are switch-selectable to produce either 15dB or 7.5dB boost and cut.
Just In!
$75.00
DBX 266
The superb engineering in the 266 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. The 266s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays.
$49.00
dbx 929
This is a very handy 2 channel unit that can be used for hiss reduction. It's a single ended unit, meaning that rather than being used with material that is already dbx encoded, it is used in playback or mix mode, to improve recordings. It is not designed to remove hum, ticks, or pops -- only hiss. The Stereo Couple allows linking the two channels for stereo use. Compatible with all dbx racks, but not with API type racks
Consignment
$159.00
dbx Driverack PA
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA ; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, this version of DriveRack has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.
$295.00
DBX FS900
W/2 902 Deessers. Excellent industry standard dynamic range processor for curing vocal sibilance,. Also use to create some interesting tonal textures on your mix. Tame harsh cymbals, screechy guitars, string noise etc? The de-esser retains the basic tonal texture of the voice or instrument you are processing. These DBX?s set the standard.?
Consignment-Price Drop
$595.00
Digidesign Pro Control
Welcome to ProControl, Digidesigns dedicated mixing and editing controller for TDM-equipped Pro Tools systems.Its dedicated controls allow easy navigation through Pro Tools functions, including recording, mixing, editing, grouping, Plug-In control, and automation. Through the use of motorized faders and data encoders (rotary knobs), automation and mixing can be handily performed and given visual reference. Controller movements from ProControl are immediately reflected in Pro Tools on-screen controls, and vice versa.
$495.00
DJ Tech Midifighter 64
DJ TECH Midi Fighter 64 in great condition, featuring 64 ultra-responsive arcade-style buttons for fast, expressive triggering. Designed for seamless integration with MIDI software, it's perfect for finger drumming, live performance, and studio use. USB-powered for easy plug-and-play with Mac or PC, this rugged yet lightweight controller offers customizable LED feedback and low-latency performance. Elevate your workflow with this reliable and dynamic MIDI controller used by top performers worldwide
Just In!
$250.00
Earthworks QTC1 Microphones
A small diaphragm condenser microphone that is designed for use in the recording studio. It is a high definition microphone and it picks up frequencies between 4 Hz and 40 KHz, which is a huge difference when compared to normal microphones. The mic has an omnidirectional polar pick up pattern and comes in a case along with a sturdy clip to fit the size of the mic.
Consignment
$1295.00
Electro-Voice Everse 8
The Electro-Voice Everse 8 is a compact, portable, and adaptable PA speaker. It is designed for touring acts like singer-songwriters and even full bands when used with a mixer to expand its inputs. The EVERSE 8 is a weatherized model that combines all the features that any user would wish for performance, vocal reinforcement and/or audio playback, be it at the professional, amateur or recreational levels.
$495.00
ERM Multiclock
The ERM Multiclock is your ultimate ally in achieving perfect synchronization across your digital and analog musical gear. This 4-channel clock generator is designed to seamlessly integrate and synchronize MIDI, DAW, DIN Sync, analogue sequencers, and even tape machines. Whether you're in the studio or on stage, the Multiclock ensures that your equipment speaks the same rhythmic language.
$495.00
Fender Passport PD=250
Versatile, portable PA system ideal for small events, presentations, and musical performances. With 250 watts of power, this system includes a powered mixer and two full-range speaker enclosures, all designed for easy transport and quick setup. The mixer provides four mic/line inputs with XLR and 1/4" combo jacks, plus built-in reverb and tone controls for each channel, along with stereo RCA inputs for media playback.
Consignment - Just In!
$295.00
Furman Rackrider RR-231
The dual-channel RR-231 divides the spectrum into 31 bands, each spaced 1/3 of an octave apart. The actual center frequencies chosen are those designated as standards by the ISO. Each slider allows an EQ adjustment of /-6 dB or /-12 dB, depending on the setting of the Range switch. Built using compact 20 mm sliders two rows of 31 bands fit into just 2 rack spaces. Though small, the sliders are of high quality and have a smooth, silky feel. They are center detented for quick, reliable identification of the zero setting
$95.00
Gator G-Club
The limited-edition Gator G-CLUB XL messenger bag is for use with 28" DJ controllers, laptop and full-size headphones and protection against dings and scratches. The bag features a rugged exterior with extra-padded foam on the back and a soft tricot-lined interior for improved visibility in dark clubs or rooms
$100.00
Genelec 1030A
The Genelec 1030A is a very compact bi-amplified active monitor system, which has performance comparable to much larger systems. The vented speaker enclosure has an amplifier unit set into the back. This unit contains an active electronic crossover, overload protection circuitry and two power amplifiers: one for each driver. The systems excellent dispersion and precise imaging together with its compact size make it ideal for near field monitoring, broadcast and TV control rooms, mobile vans, home studios and travelling engineers.
Consignment
$1100.00
Golden Age Pre-73
Time and time again, the 73-style mic preamp has ranked as the number-one desert island choice for studio pros. Boasting vintage-style electronics with UK-made Carnhill transformers, the Golden Age Pre-573 Premier packs this time-tested circuit into your 500 Series rack. This British-flavored beast boasts 80dB of gain ? enough for your passive ribbon mics, even on extra-quiet sources. Switchable impedance enables you to pair the Pre-573 Premier with any microphone, and it can easily tackle line-level sources. You'll appreciate how this 500 Series module's 2-position highpass filter attenuates unwanted low-frequency rumble, in addition to the how flexible the front-panel instrument input makes DI-ing your guitar or bass a walk in the park. You also get a separate output knob, which makes achieving those coveted saturated textures effortless, plus an insert jack for patching in your favorite EQ and/or compressor. Polarity reverse, a selectable AIR equalizer, a single-LED level indicator, and phantom power round out the Pre-573 Premier's impressive features. If you're looking for a space-saving, cost-effective 73-style preamp, you'll love what the Pre-573 Premier brings to your studio.
$200.00
Groove Tube 1B
The GT1B 1B is a tube microphone that delivers a vintage sound using modern electronics. This enhanced reissue of the legendary Model 1A side-address, true condenser features a hand-assembled, hand-tested 1.10-inch diameter capsule with a machined brass housing. The ultra-thin 3-micron evaporated-gold diaphragm is the thinnest in the business. The triode-wired pentode operates in Class A mode. Groove Tubes rigorous quality control also insures that every microphone is within /-1 dB of a golden microphone spec to permit stereo pairing.
$550.00
Heil PR 35
The Heil PR 35 is a dynamic microphone designed for vocal live sound reinforcement and recording. The PR 35 has a characteristic smooth frequency response, providing a warm and lush presence to vocals of all kinds. The dynamic element of the PR 35 is suspended in a floating mount, allowing air to move around the element and preserving articulate sound when the mic is cupped. Like all Heil mics, the PR 35 has excellent rear noise rejection, even in high stage volume situations. The PR 35 features a low-end roll-off switch for vocalists looking to tailor their response. Ready for stage use, the PR 35 has a durable rubberized exterior coating for added protection and grip.
$195.00
Heritage Successor
Classic British Diode-bridge Compression. Introduced in 2019, the Heritage Audio Successor stereo mixbus compressor was a first in its class, finally allowing creative engineers and musicians to apply warm, colorful and fat compression when all that was previously available was clean and transparent VCA-based processors for these duties.
Consignment
$1095.00
IK Multimedia Axe I/O
AXE I/O is a professional 2 in/5 out audio interface ? and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.
$175.00
IK Multimedia ILoud MTM
Following on from the popular iLoud Micro Monitor, the iLoud MTM introduces a double woofer system and the ability to tailor the sound to the room. This is a feature packed studio monitor in a compact package, capable of near flat frequency response and revealing incredible detail.
$400.00
Innertube Sumthang
Old-school analog crustaceans that we are, we at InnerTube recognize the productivity that digital audio workstations (like Digidesign Pro Tools and others) has made possible. Running the outputs through a high-quality mixing console has become a favorite best-of-both worlds solution for those who want digital flexibility and analog sound quality. But what if you dont have a large-format console, or prefer to mix ?inside the box?? Well, we thought up the Sumthang just for you.
Consignment-Price Drop
$2250.00
JBL 305P MKII
JBL 305P MkII active studio monitors are a great nearfield solution for any serious audio engineer or music producer. They're great for mixing music in your DAW software, editing video, or any other task that requires monitoring accuracy. JBL designed the 305P MkII with advanced features acquired from their 7 Series and M2 Master Reference Monitor, making legendary JBL performance accessible to every studio. JBL's innovative Image Control Waveguide works in concert with refined transducers to deliver a well-defined and incredibly dimensional stereo image.
Consignment
$230.00
JBL LSR310S Subwoofer
Extend your system LF all the way down! The LSR310S subwoofer incorporates JBLs patented Slip Stream? Port working in concert with a custom 10" down-firing driver and a 200 Watt amplifier to add deep, powerful bass to any studio monitor system. A JBL first, the XLF Extended Low Frequency setting lets you hear your tracks with the augmented bass tuning used in todays dance clubs.
$275.00
KRK Rokit 7 Gen 4
KRK's Generation 4 ROKIT 7 bi-amp professional monitor brought music and sound creativity to a new industry-level when first introduced in 2019. A DSP-driven Graphic EQ with 25 settings to help condition your acoustic environment was one of several key advancements to offer new levels of versatility in a studio monitor. Matching drivers made with Kevlar? ensures the same sonic integrity across all frequencies. A scientifically designed speaker enclosure and front-firing port offer exceptional low-end extension and accuracy, punch and flexible room-positioning. Its powerful, yet efficient custom Class D power amplifier drives the speakers evenly and more efficiently at reduced operating temperatures and improves audio integrity
$350.00
Lexicon MPX100
The MPX 110 24-Bit Dual Channel Processor is Lexicon's most affordable dual-channel processor. A true stereo processor, the MPX 110 includes 24-bit analog-to-digital and digital-to-analog conversion, and relies on the proprietary Lexichip engine to perform 24-bit internal processing. Its 240 carefully-crafted presets feature legendary Lexicon reverb, as well as dual programs that combine two independent effects in four routing configurations. T
$89.00
Lexicon MPX110
The MPX 110 24-Bit Dual Channel Processor is Lexicon's most affordable dual-channel processor. A true stereo processor, the MPX 110 includes 24-bit analog-to-digital and digital-to-analog conversion, and relies on the proprietary Lexichip engine to perform 24-bit internal processing. Its 240 carefully-crafted presets feature legendary Lexicon reverb, as well as dual programs that combine two independent effects in four routing configurations. T
$89.00
Lexicon Reflex
Reflex gives you 8 world class reverberation and effects algorithms to enhance any audio performance. Sixteen preset effects provide a wide range of superb sounds right out of the box , and a bank of 128 registers is available for storing your own customized effects. ? We've loaded the registers with an additional 96 sounds to really get you going!
$275.00
Lindell 6X-500 Preamp
The Lindell 6X-500 juices your 500 Series rack with a single-channel transformer-coupled mic preamp along with a passive 2-band Pultec-style equalizer. This all-discrete design, based upon the highly respected 990 op-amp, gives you an EQ section with the magical sound of a classic Pultec. With a 15db boost of the silkiest high end you'll ever hear and stunningly punchy low end, you'll wonder how Lindell managed to stuff a Pultec into this little module. Arm your studio with the fast, in-your-face sound of the delightfully affordable Lindell 6X-500
$215.00
Little Labs PCP 3.0
The Little Labs PCP Instrument Distro 3.0 is an all-in-one triple transformer-isolated guitar splitter, triple output/input re-amping tool, active line-level direct box, and long guitar cable driver. Re-amp inputs and instrument inputs are selectable and sum together for each output. Each output has a selectable polarity, earth lift, and level control. The PCPs' functionality has not changed in the 26 years it has been in production, but the internal electronics have been revised and improved. The name PCP was a joke in 1997 at A&M Studios, where I developed the first "Professional to Cheesy Pedal" distro; the name does not tell the whole story.
Consignment - Just In!
$995.00
Mackie HR824
The HR824 in action really is a revelation. The stereo sound field is wide, deep, and incredibly detailed. High frequencies and midrange are clean and articulated. Low frequencies are no more or less than what you recorded - you can actually hear the distinct tonal qualities (and harmonic quantities) of a particular bass instrument - instead of just a "generic" bass note. Most important, the sweet spot is a broad, 3-dimensional area that gives you room to move up, down, and across the console. In short, instead of having its own distinctive "sound," the HR824 sounds like the outputs of your mixer.
$495.00
Mackie HR824
With one repaired woofer. An active, biamplified speaker that delivers a wide, deep, and incredibly detailed sound field. Delivers 150W for the lows, 100W for the highs. Features a 1" alloy dome high-frequency transducer, an 8-3/4" low-frequency transducer, 1/4" and XLR inputs, overload/clip LED, and logarithmic wave guide.
Consignment
$295.00
Mackie ProFX6v3
The Mackie ProFX6v3 channel professional effects mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60dB of headroom, everything From gain hungry mics to guitars will sound better than ever. The new gig FX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-bit/192kHz quality with 2x4 USB I/O Plus zero-latency hardware monitoring for easy overdubs.
$125.00
Meris Hedra 500 Series Pair
Add massive moving harmonies to your guitars, keys, vocals, and more with the Meris Hedra 500 Series rhythmic pitch shifter. Layer three independent voices under your original signal and set them to a selection of intervals ranging from two octaves down to two octaves up, with the ability to set the key and scale. With Hedras glide control, you can easily move from modern hard-tuned-style pitch shifting to more natural movements between notes. And, a Micro Tune control creates synth-like detuned effects to fatten or warp your signal. Additionally, Hedras four delay configurations serve up complex echoes and slapback effects for generating deeply textured harmonies.
Consignment
$850.00
MOTU Track 16
MOTU's Track16 desktop recording interface gives you the quality, versatility, and expandability you need to build a reliable recording rig that can grow and adapt to your needs. Intended to fit into any small to midsize recording rig, MOTU designed the Track16 to keep your invaluable desk space clear, while giving you access to a full set of hands-on controls. Need to tweak mic input 1? With the push of a button, the Track16's large central button lets you grab the level you need. The same thi
$75.00
MXL V67G
If the MXL V67G recalls to mind a certain green-bodied/gold-grilled studio heavyweight, it's no accident. This vocal mic exceeds all expectations, aiming to bring the breathy diction and throaty warmth of a well-loved tube legend to a quiet, Class A project-studio design. The V67G's Class A FET architecture and transformer-coupled output result in a fast, faithful, and flattering reproduction of male and female vocals. We're talking lead vocals that lead, and spoken word passages that speaks. And whether you're emoting or narrating, the MXL V67G's gold-sputtered, 1.26-inch capsule is able to give your voice a healthy dose of old-school broadcast character. In a mix, this often translates to a sound that is larger than life
$0.00
Nakamichi CM-300
The CM-300 is a battery powered condenser microphone preamplifier. It is equipped with an on/off switch and a switchable ? 10 dB attenuation pad. The CM-300 comes furnished with the small diaphragm CP-1 cardioid and CP-2 omnidirectional pre-polarised capsules
$119.00
Native Instruments Traktor Kontrol S8
Native Instruments Traktor Kontrol S8 DJ Controller is the generation DJ mixer/controller that offers enhanced control over your music. Integrate stems for live remixing, or loops to create your own tracks live. Use alongside a Traktor scratch setup for total, unique DJ functionality.
Consignment-Price Drop
$400.00
Neumann TLM 170
The TLM 170R is known for its striking transparent sonic characteristics. Excellent impulse response is a major contributing factor to this lack of coloration that many engineers have come to love. Unique circuitry enables you to change polar patterns remotely via the N48R2 power supply. The TLM 170R is sure to make your next recording shine
Consignment
$2095.00
Oberheim Echoplex
The Echoplex Digital Pro is a digital delay designed for the performing artist! Although conceived in the early nineties, it's a lot like the new Repeater Loop Recorder from Electrix Pro. Because of the Echoplex's extended and high quality sampling time for its digital delay effect, the Echoplex can be used to record, sample, and play loops all in realtime! The Echoplex features 16-bit digital 44.1kHz recording/sampling to RAM. It ships with 50 seconds worth of memory, however this can be easily upgraded just like any sampler using standard RAM SIMM chips to up to 200 seconds of recording time.
$350.00
Peavey PR12
The Pro Lite series delivers superior sound quality by utilizing advanced materials, like its lightweight, roadworthy molded polypropylene exterior. The PR 12 is a two-way speaker system that is lightweight yet rugged for live music or speech applications and will handle 400 watts program and 800 watts peak. It utilizes a heavy-duty 12 inch woofer with a 2 ? inch voice coil and a RX14 1.4 inch titanium diaphragm compression driver coupled to a constant directivity horn. Its durable injection molded enclosure features a black powder-coated steel grille that provides driver protection and a professional appearance. This system can be used on the floor, be pole mounted or flown via top and bottom flying inserts. Connections are made via two 1/4" phone jacks connected in parallel to accommodate daisy-chaining.
$195.00
Presonus Audiobox USBVSL
Introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive (VSL) software, AudioBox VSL-series interfaces provide reverb and and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive 16.0.2 digital mixer- all with inaudible latency. Now you can monitor and record with or without real-time dynamics processing and EQ!
Just In!
$95.00
Presonus HP4
Tired of straining to hear underpowered headphones? The PreSonus? HP4 headphone-distribution system is louder than you're ever likely to need for session and stage use. (Be careful with that level control!) Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear! Simplicity is the HP4's hallmark. It offers left and right line inputs, left and right line outputs with level control, and four headphone outs. You can sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.
$99.00
Rane Mojo MH4
The Rane MH 4 provides master stereo inputs which can be used to drive the four stereo headphone amplifiers. A mono switch is provided on the front panel to drive both channels of all four amplifiers from a common mono source. The MH 4 is capable of delivering up to 200 milliwatts into headphones with rated impedances between 32-600 ohms. The MH 4 produces sound pressure levels in excess of 120 dB. Balanced stereo 1/4"" inputs & stereo/Mono switchable. Extremely low noise, headphone dependent overload indicators.
$79.00
Rane SL1
The Rane SL1 combined with Serato Scratch Live set the standard for vinyl emulation, giving you the freedom to take your entire digital music collection on the road and equipping you with advanced features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for ?real feel? usability. With unparalleled performance and stability, you'll know why thousands of DJs worldwide choose the Rane SL1 and Serato Scratch Live.
$95.00
Realistic Minimus 7
The Minimus 7 is little only in size, not in performance - it's a real giant in concert hall sound. The high compliance woofer element gives astounding bass and the dome tweeter produces crisp, clean highs. Careful acoustic design matches the two dynamic elements with the enclosure and damping materials - resulting in amazingly smooth, broad frequency response.
Consignment
$59.00
Reloop RHP-10
The RHP-10 Mono is the latest member of the Reloop headphones family, and the first devoted to one-ear monitoring. The single ear-cup construction is designed for fast cueing of a track which, thanks to the large driver, is also possible when the ambient noise levels are high
$55.00
Rosendahl Nanosyncs HD
The Nanosyncs HD Multi Standard Sync Engine is an intricate electronic gearbox which locks PAL, NTSC or slow PAL, progressive or interlaced HD Trilevelsyncs, and digital audio reference signals together in any required combination. The improved DDS audio clock synthesiser combined with a new, ultra-high frequency analog PLL design results in lowest clock jitter and minimal phase drift.
Consignment
$250.00
Samson Auro
Auro speakers are designed to deliver powerful and exceptional sound while maintaining portability. They are ideal for live sound applications, touring musicians, and mobile DJs. With their compact and lightweight design, these PA cabinets are perfect for any environment that requires a reliable sound reinforcement solution.
Just In!
$295.00
Samson Auro
Auro speakers are designed to deliver powerful and exceptional sound while maintaining portability. They are ideal for live sound applications, touring musicians, and mobile DJs. With their compact and lightweight design, these PA cabinets are perfect for any environment that requires a reliable sound reinforcement solution.
Just In!
$295.00
sE Electronics Z-5600
The SE Electronics Z5600 is a tube capacitor (condenser) microphone with an amazingly low price tag. It comes with a suspension mount and an external power supply. (Some of those high-end European manufacturers make you pay extra for the suspension mount - as much as a good mic sometimes!). Tube microphones generally do need external power supplies; those that can run from phantom power are rare. However, this type of mic will most likely only ever be used in a studio, rather than for live work or location recording, so it doesn't really matter. One interesting feature is that even though this mic is quite low in cost, it offers multiple patterns all the way from omnidirectional to figure-of-eight with more intermediate stages than you would expect. These are selected on the power supply rather than on the microphone. As a tube mic, you would expect a more 'present' sound than a transistor microphone. Combined with the large diaphragm, this will give an upfront, quite in-your-face sound quality. You should also expect a little more noise, but as the typical usage would be close to the sound source you should not find this a problem.
$550.00
Sennheiser MD 441-U
The MD 441 is acknowledged as the most accurate and versatile dynamic mic available. Super-cardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Perfect for vocals and virtually every instrument.
Consignment - Just In!
$895.00
Shure MX393/O
There's never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Cardioid, supercardioid and omnidirectional polar patterns Programmable, silent membrane switch LED indicator
Consignment
$150.00
Shure Shure 561
The Shure Model 561 is an omnidirectional, low-impedance dynamic microphone designed for use on a stand or flexible gooseneck. Its smooth frequency response is tailored for optimum speech intelligibility, making it ideal for language labs, paging applications, and base station communications. The 561 is also suitable for use as a talk-back or cuing microphone in TV, film, and recording studios.
$60.00
Shure SLX4 W/Beta58
The Shure SLX4 is a single-channel rackmount wireless receiver housed in a rugged metal chassis. It is compatible with the SLX1 bodypack and SLX2 handheld transmitters as well as the MX690 boundary and MX890 desktop base transmitters. The receiver offers high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages.
Just In!
$350.00
Shure SM7B
The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices. The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.
Just In!
$250.00
Shure ULXD4D-G50
With Handheld SM58 and lav mics. The Shure ULXD4D Dual Channel Digital Wireless Receiver offers two channels of uncompromising audio quality, RF signal stability and efficiency, and advanced setup features in a single rack unit. Rugged, lightweight and compact, the all-metal chassis houses two independent receivers, each with its own audio and RF meters, gain control, and receiver outputs that can be either direct or summed for flexible signal routing. With RF cascade and two Ethernet ports, units easily can share RF signal and be networked together for simplified frequency coordination and deployment. For networked audio applications, Dante digital networking allows multiple channels of audio to be transmitted and received over a single Ethernet cable. With its suite of features and benefits, the ULXD4D is an excellent dual digital receiver, bringing a new level of performance to professional sound reinforcement.
Consignment
$2695.00
SM Audio PR8DS
Pro Audio PR8DS 25pin output PR8E.The PR8-DS from SM Pro Audio is an 8 channel microphone preamplifier. The unit features front panel XLR/TRS jack "Combo" input connectors, and 48V phantom power switchable for each channel. Outputs are available via a rear panel 25-pin D-sub connector.SM Pro Audio PR8DS Features:8 microphone preamps Ultra-wide dynamic range with low-noise operating levels
$95.00
Sony ECM-MS5
Specifications Type: condenser Polar pattern: cardioid Frequency Response: 70Hz - 20kHz Output Sensitivity: 10mV/Pa Max SPL 130dB for 1%THD Self Noise (CCIR): 20dB Output Impedance: 150? Powering Phantom: 12-48 Supply Current: 2mA Alternative Powering Battery operation with optional DC-MS5 Switchable Options Filter/EQ 250Hz Physical Characteristics Connector: XLR-5M Available Colors: Black Weight: 215g (7.57oz) Length: 212mm (8.34") Max Diameter/Width: 47.5mm (1.87")
Consignment-Price Drop
$495.00
Sterling ST131
The Sterling Audio ST131 Studio Instrument Condenser Microphone is the ideal choice when looking to capture fast transients and subtle sonic detail with outstanding clarity. Key Features Ideal acoustic guitar, drum, percussion, piano and room/overhead recording Hyper-cardioid pickup pattern for focused isolation Full frequency response: 20Hz ? 20kHz Extreme volume handling: 146dB SPL (with ?10db PAD engaged) Switchable high-pass filter and attenuation pad Captures fast transients with outstanding clarity Requires 48V phantom power
Consignment
$89.00
Sterling ST131
The Sterling Audio ST131 Studio Instrument Condenser Microphone is the ideal choice when looking to capture fast transients and subtle sonic detail with outstanding clarity. Key Features Ideal acoustic guitar, drum, percussion, piano and room/overhead recording Hyper-cardioid pickup pattern for focused isolation Full frequency response: 20Hz ? 20kHz Extreme volume handling: 146dB SPL (with ?10db PAD engaged) Switchable high-pass filter and attenuation pad Captures fast transients with outstanding clarity Requires 48V phantom power
Consignment
$89.00
Studiologic SL Mixface
The SL MIXFACE is a complete controller device which combines style and simplicity with a powerful engine. Designed for mobility, you can bring it everywhere and use it in total freedom thanks to its hosting capability and auto-mapping of the main DAW apps.
$179.00
Symetrix 501
The Symetrix 501 Peak/RMS compressor/limiter is a precision dynamic range controller intended for use in the most demanding professional audio applications. The 501 is two dynamics controllers in one unit. Separately controlled, simultaneous RMS detection and peak limiting is provided so that the limiter can be set to prevent spikes and allow the compressor to control the signals without applying more than the desired amount of gain reduction. The 501 performs both duties with unsurpassed distortion and noise specifications. A full complement of controls gives the operator the ability to perfectly tailor dynamic response. This isnt a one slider device; you are in control.
$250.00
TC Electronic Powercore
PowerCore FireWire provides a significant amount of power, with fast DSPs and oodles of RAM. It is ideal for high-end production environments where the uppermost quality and processing capabilities is required. Designed for serious studios and professional applications, the PowerCore FireWire is sure to deliver, and it will take care of even the most demanding tasks and requirements.
Consignment
$325.00
TC Helicon VoicePrism
VoicePrism is a single-box voice formant and pitch processor. Designed primarily for use on vocals, VoicePrism is strictly a mono in/stereo out processor. Features include line- and mic-level inputs (a built-in preamp with phantom power is standard), compression, gating, dual parametric EQ, 4-voice harmony (with individually adjustable gender controls and humanizing parameters), fifth-lead doubling voice for automatic double-tracking, and two separate post-effects blocks with chorus/flange, delay and reverb, and harmony libraries. Harmony effects can be created by ?reading? the input signal or may be driven by a MIDI input from a keyboard or sequencer, allowing for super-accurate harmonic doubling or for creating multivoice chords and textures that simply cant be sung.
$195.00
TC Helicon VoicePrism Plus
Processor vocal dynamic effect, harmonization and modlisation voice. Internal processing in 24 bits/48000hz Connectivity exceptional inputs and outputs numriques S / PDIF, AES / EBU Stereo, analog jacks 6.35, midi in / out and phones. - Voice processing thanks to dynamic effects: Compressor, NOISEGATE for the lead voice and harmony voices, 2 paramtriques EQ for the lead voice paramtriques 2 EQ for vocal harmonies. - Other effects: chorus, delay, reverb, etc..
$295.00
Telos Zephyr Z/IP One
Z/IP ONE is a 1 RU rack-mount IP codec for remote broadcasting. It's a single-space rack unit perfect for studios, TOCs and remote kits. Z/IP ONE Includes a full range of codecs including AAC-ELD, AAC-HE, AAC-LD, MPEG 4 AAC, MPEG 2 AAC, MPEG Layer 2, G.711, G.722 codecs, plus linear audio and optional aptX? Enhanced coding. Z/IP ONE supports SIP 2.0 protocol and conforms to N/ACIP standards; it also works with VoIP devices and connects to compatible SIP PBXs. A choice of Livewire AoIP with standard analog I/O, or optional AES/EBU I/O, is available.
Consignment
$495.00
Tiptop HATS808
Add the Tiptop Audio HATS808 module to your modular synth rig for the classic sound of TR-808 hi-hats. This all-analog module offers both closed and open hi-hat circuits, each with a distortion-capable gain stage and independent Accent levels. Fine-tune your hi-hat grooves with the Q and Decay controls, while triggering via Gate or CV. It's the perfect match for Tiptop Audio's SD808 and BD808 modules, bringing you the sound of '80s electronic music in a flexible format for modern productions. No modular analog drum rig is complete without the Tiptop Audio HATS808
$99.00
Universal Audio UAD2 Satelite TB3 OctoCore
The UAD-2 Satellite Thunderbolt is a powerhouse DSP accelerator that gives Mac and Windows 10 users complete access to the worlds most detailed and authentic analog emulation plug-ins, available exclusively on the UAD platform. Bolstered by next-generation connectivity ? and backward-compatible with Thunderbolt 1 and 2 UA devices ? UAD-2 Satellite Thunderbolt 3 lets users run large professional mixes with the rich analog character of award-winning UA-developed plug-ins, including exclusive titles from Neve, Fender, Lexicon, Studer, and many more
Consignment
$675.00
Wohler LM53-8
The Wohler LM53-8D is a rackmount AES/EBU Digital 8-channel level meter, equipped with four 2-channel 53-segment high resolution Bargraph displays, and offering simultaneous VU and PPM display ballistics, a dedicated brightness trim control, 70dB of usable dynamic range, and a 32 - 48kHz sampling rate on input. The LM53-8D is a professional unit, designed for use in radio and television broadcast, mobile production vehicles, recording studios, and other applications requiring precise and flexible level monitoring
$139.00
Yamaha HS5
The Yamaha HS5 active studio monitor will help you make better-sounding recordings. Yamaha's nearfield monitors with those iconic white-coned woofers have been ubiquitous in top studios worldwide ever since the original NS-10s hit the scene in the late '70s. Yamaha has continuously developed and perfected their monitors, resulting in HS series monitors with newly designed bi-amplified drivers and scientifically ported enclosures that deliver amazing accuracy and vanishingly low coloration. Don't mix in the dark. Nail what you're after without the guesswork, with Yamaha's HS5.
$250.00
Yamaha HS80M
The Yamaha HS80M speaker is a 120W, biamped reference monitor with an 8" neopropylene woofer and 1" tweeter. Designed to deliver an honest mix, the HS80M monitor speaker has a flat 42Hz-20kHz frequency response. Room control and frequency response switches allow custom tailoring of the monitor's response, making it perfect for all types of recording and multimedia applications. Easily create a 5.1 surround sound setup with the addition of an HS10W powered subwoofer (sold separately). Enclosure is constructed of high-quality MDF material and feature a multi-layer finish that minimizes resonance.
$350.00
Yamaha MG06
Now in its third incarnation, the MG Series embodies the pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. The Yamaha MG06 is a six channel mixing console with two mic (XLR hybrid) and six Line Inputs (2 mono 2 stereo), one Stereo Bus, and one AUX send.
Consignment - Just In!
$95.00
Yamaha NS10M
The standard nearfield studio monitor in the music industry among rock and pop recording engineers. Launched in 1978, the NS-10 started life as a bookshelf speaker destined for the domestic environment. It was poorly received but eventually became a valuable tool with which to mix rock recordings. The speaker has a characteristic white-coloured mid?bass drive unit. Technically, it is known as a speaker that easily reveals poor quality in recordings. Recording engineers sought to dull its treble response by hanging tissue paper in front of it, resulting in what became known as the tissue paper effect, a type of comb filtering. The NS-10 has been used to monitor a large number of successful recordings by numerous artists, leading Gizmodo to refer to it as the most important loudspeaker you never heard of.
$495.00