Pro Audio • Recording • Live Sound

 2 Sp Rack

Covered with carpeting

 42 Inch Monitor Stands

 42" Monitor Stands

 Boom Mic Stand

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 Carry Case

Heavy duty generic carry case

 Concert Music Stand

 Controller Stand

 Mixer Bag

 Speaker Stand

 Straight Mic Stand

 Straight Mic Stand

 Straight Microphone Stand

 Table Top mic Stand

Akai MFC42

The MFC42 is a true analog filter module designed by Akai for their MPC-series gear. However, you can use it to process any sound source since it has basic 1/4" inputs and outputs and MIDI! It has genuine analog filters for that warmer tone with Lowpass, Highpass, Bandpass, and Notch filter types. It consists of a MONO filter section and STEREO filter section. The MONO section offers 2-, 4-, and 8-pole filter slopes. The STEREO section offers 2- and 4-pole filter slopes. The MONO 8-pole slope utilizes the whole filter circuitry so the STEREO section is not active. Likewise, the MONO section is inactive when the STEREO section is in 4-pole mode. But when both sections are used simultaneously, they can be linked so that the MONO filter's control knobs control both MONO and STEREO sections. The link can also be inverted so the two sections sweep in opposite directions.

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Alesis 3630

Since its introduction, the 3630 Compressor? has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise.

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Alesis 3630

Since its introduction, the 3630 Compressor has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch.

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Alesis MultiMix 12R

Who said you cant take it with you? Our MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers ? all at prices wandering musicians will love. MultiMix FX mixers are the most compact, affordable, high-quality mixers with built-in 28-bit digital effects and choice of configurations. For those who dont need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, we offer the MultiMix 12R.

Antares ATR-1

Rackmount autotune unit based on a plugin. The ATR-1 has two modes, Program and Song mode. There are fifty programs, each with its won settings for scale, speed & vibrato. Programs can be switched via midi or a footswitch. Song mode is more for live performance. There are twenty songs with up to 15 song steps each. These can be switched as before via midi or footswitch, and each has speed & vibrato settings Inputs & outputs are line-level, balanced on XLR connectors & TRS jacks

Aphex Expander/Gate

Apogee Ensemble Thunderbolt

Apogee has squeezed every ounce of their digital audio expertise into the newly-rebuilt Ensemble Thunderbolt, setting yet another standard for sound quality, performance, and functionality. By utilizing blazing-fast, cutting-edge Thunderbolt 2 technology, the Ensemble Thunderbolt gives you ultra-low latency and unmatched CPU efficiency, allowing you to monitor more effectively, record more tracks, and process more plug-ins. Of course, the Ensemble Thunderbolt's eight digitally-controlled mic preamps and premium AD/DA converters give you the phenomenal sound quality you'd expect from Apogee

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Art P16

Convenience, performance, and a nice price! ART's P16 is a handy XLR to XLR patchbay, which makes a great way to manage mic preamps and outboard gear with rear-facing XLR jacks - without digging through your rig. All the connections in the P16 are made with ultra-reliable PCB wiring, so you know this bay won't let you down (and, it will serve you well for years to come). You get 32 XLR connectors (16 female on the front, 16 male on the rear panel) plus reversible rack ears. Make your setup as efficient as possible; start with the P1

Ashly SC-66A

The SC-66A Parametric Equalizer offers complete equalization flexibility. Compared to graphic type equalizers that preset center frequency and bandwidth, the SC-66A provides four control sections per channel that can tune over a 5.6 octave range and boost or cut one note, fort notes, or any number in between. Some applications include: shaping the overall sound of a PA system to improve response, feedback control, instrument tone control, front system speaker or room resonance problems, vocal and dialogue equalization, broadcast announcer voice enhancement, and record wear equalization correction and special effects, or any application where complete equalization control is desired.

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Audient iD4

Console Mic Preamp ? Class Leading AD/DA Converters ? 1 x JFET Instrument Input ? 2 x Line Outputs ? 1 x Dual Headphone Output ? Speaker On/Off Button ? ScrollControl ? Monitor Pan ? Monitor Mix (Direct Monitoring) ? Audio Loop-back ? True Phantom Power over USB ? USB3.0 Bus Powered ? 24bit/96khz ? Mac, Windows & iOS Compatible ? All Metal Design

Audio Authority 1154

The Model 1154 allows one of four signal sources such as satellite or DVD to be played on a home theater system. It uses proprietary Adaptive Signal Sensing? technology to switch between multiple sources automatically. The high bandwidth circuitry accepts Y Pb Pr component video, stereo analog audio, and digital audio in both optical and coaxial formats, and switches all audio and video signals simultaneously when a new source becomes active. Digital audio signals are converted automatically to the desired format

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Audio-Technica AT4050

The AT4050 is one of Sweetwater's best-selling vocal mics, and for good reason! Utilizing a low-noise transformerless design and multiple polar patterns, the AT4050 is ideal for use in the most demanding recording situations. It uses dual gold-plated, aged, large-diaphragm condenser elements for extended frequency response, while floating construction elements provide isolation from noise and vibration.

Audio-Technica ATW Wireless

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Avalon VT-747SP

Stereo Tube Compressor / 6-Band EQ is one of those rare signal processors that sounds incredible on every source.

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Avantone CLA-10

Avantone Pro, in conjunction with the expertise of legendary mixer Chris Lord-Alge, have designed the most faithful reproduction of the worlds most iconic studio monitor. Now everyone can mix on the monitors that define ?the hitmaker sound?. A tremendous amount of design work and exacting detail have finally made the ?white cone? monitors available to everyone!

Avid Audio Splitter

The AVID Audio Splitter is a versatile device that allows you to split one XLR male connection into two XLR female connections for easy audio sharing. Its compact and portable design makes it perfect for on-the-go musicians and audio professionals. The splitter has a sleek black color and measures 7.25 inches in length and 5.5 inches in width. This Audio Splitter from AVID is suitable for use in various settings, including live sound, recording studios, and broadcasting. It is a high-quality device that is made in the United States, and it is compatible with a wide range of audio equipment. Whether you are a musician or an audio professional, this splitter will help you to achieve clear and high-quality sound

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BBE 402

When you need just the slightest touch of sonic bliss as a finishing touch to your sound ~ you won't need to look any further than your BBE Maxie. Unlike many Aural Exciters or equalizers, the BBE Maxie does not add any extra noise or harmonics to your sound. This means that you won't be adding future problems in duplication or mastering of your music caused by aberrant high frequency distortion. The BBE Maxie is a dual channel enhancer designed to operate with -10dBu levels. It works by applying phase correction to your high frequencies (which it does by splitting the sound into 3 bands, crossover frequencies being 150Hz and 1200Hz, and applying delays to the two lower bands). Your high band frequencies pass through a VCA and are controlled in relation to the mid band. There are two modes - 'Auto' mode provides dynamic response so that the BBE Maxie expands or compresses the high band in relation to the mid, while in 'Manual' a factory preset expansion ratio is applied. Each channel gives you a Lo-contour and a Definition knob. Lo-contour is for bass EQ at 50Hz, Definition regulates the processing of the high band in relation to your mids and effectively adds more top end.

BBE 802

The BBE 802 is a cutting-edge audio processor renowned for its ability to enhance sound quality and ensure optimal audio performance across various applications. This device is designed for both professional and personal use, making it a highly versatile addition to any audio setup. One of the standout features of the BBE BBE 802 is its proprietary Sonic Maximizer technology. This technology works by restoring the harmonic content of audio signals, providing a more vibrant and clear sound. The Sonic Maximizer reduces muddiness and enhances articulation, ensuring that every note and syllable is heard with clarity. This feature is particularly beneficial for live sound reinforcement, studio recordings, and home audio systems

Behringer B-2 Pro

The B-2 PRO microphone is a home recording enthusiasts dream come true! These professional-quality condenser microphones are designed to capture your sounds with incredible realism, sensitivity and accuracy. With selectable pickup patterns (cardioid, omni and figure eight), frequency filters and input pads, B-2 PRO ultra-low noise mics are an excellent choice for any recording scenario ? and rugged enough to go the distance! With a heavy duty suspension mount and windscreen included in the sleek aluminum case, the B-2 PRO just may be the only microphone your studio will need.

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Behringer Dualfex II EX2000

The Behringer DualFex II EX2000 is a rackmount effects processor featuring two independent effects engines. It offers a variety of classic effects including reverb, delay, chorus, flanger, and pitch shifting, allowing for flexible sound shaping in both studio and live environments. With easy-to-navigate controls and presets, this unit provides versatile effects processing at an affordable price point.

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Benchmark 15 Channel Preamp

16 channels, but one is out. Comes with two 8 channel cables one female to Phoenix, the other Male

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BeyerDynamic M 70 Pro X

Perfect for streamers, podcasters and YouTubers Assertive, speech-optimised sound Masters challenging acoustic environments Optimum attenuation of popping sounds Shock mount and pop filter included

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Beyerdynamic M260.80 (Pair)

The M 260 is a hypercardioid ribbon microphone. This production version, called the ?M 260.80,? has a reduced low-end frequency response; the ?.80? suffix denotes a fixed high-pass filter at 80Hz, implemented within the mics output transformer. This filter is not switchable. It is designed to reduce the natural proximity effect of the ribbon transducer to improve its utility for close-miking applications.

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Blue Baby Bottle

The Baby Bottle is a pressure gradient cardioid condenser microphone with a classic sound and tremendous versatility. It has a richly present midrange, smooth top-end and neutral low-end with tonal characteristics similar to the worlds finest vintage microphones. Featuring a high-pass filter and -20dB pad, Baby Bottle SL excels at adding a rich, classic sound to nearly any source including vocals, drums, electric guitar amps, and even difficult brass instruments like saxophones and trumpets.

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Blue Snowball

Few USB microphones are as instantly recognizable as the Blue Snowball even in 2022. This classic ball-shaped mic has been making the rounds now inside the bedrooms of every would-be podcaster and musician around, though, even well over a decade after its introduction, the Blue Snowball is easily up there as one of the best microphones around in our view.

CAD E100SX

The fourth generation E100, the new E100Sx Large Diaphragm Studio Microphone continues the 30 year tradition of excellence and captures your performance with a smooth, articulate and true-to-life profile, with the smooth, vintage tone CAD is known for.

Cad m9

The M9 is a cardioid single tube externally biased condenser microphone that features servo-valve technology. It's a natural bridge between the valve technology developed for CAD's VX2 microphone and the servo op-amp technology developed for their M-Series mics. The M9's head amp is a 12AX7 tube in a circuit optimized for super wide dynamic range and low noise. The output stage (balanced high speed dual op-amp) allows for long cables without affecting microphone performance.

Carver PM-350

350 watts per channel into 8? (stereo), 900W into 8? (mono) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.5% Damping factor: 200 Gain: 31 dB Input sensitivity: 1.5V Signal to noise ratio: 115db Speaker load impedance: 4? (minimum)

Corporate Computer Systems CDQ2000 Musicam

CDQ Musicam 2000 Broadcast Digital Audio ISDN Codec. Transmits studio quality stereo sound over ISDN or POTS lines

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Crown CTs 8200

Features High power density. All two channel models and four channel model in a 2RU chassis, eight channel model in a 3RU chassis Crown Switching Power Supply for lighter weight Selectable "Constant-Voltage" or low-impedance (4/8 ohm) operation per channel on 2-channel models, and per channel-pair on 4-and 8-channel models 100V direct outputs on CTs 2000, CTs 3000, CTs 4200, and CTs 8200 Legendary Crown class-I (BCA) and AB B output topologies offer the best in amplifier reliability 4- and 8-channel models offer perfect independent power solutions for multi-zoned systems? "FIT" (Fault Isolation Topology) circuitry on 4- and 8-channel models isolates fault conditions without affecting neighboring channels Comprehensive array of indicators provide accurate diagnostics Two-channel models are fully PIP2-compatible. Multi-channel models accept MC accessory modules.

Crown D75

2 Channel, 55Watt power amp, perfect for moderate power applications such as recording or broadcast studio near-field monitoring, video suite audio monitoring, a recording/broadcast headphone amp or a small paging system.

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Crown PZM6D

The Crown PZM-6D is a Pressure Zone Microphone with an attached cable. It's designed for professional recording, sound reinforcement and broadcasting. It has many applications, from miking full orchestras or individual musical instruments to security or teleconferencing. The mic has a switchable dual frequency response: rising (R) or fl at (F). The "rising" position adds brilliance. This makes it useful wherever a crisp attack is desired, such as on percussion, drums, or piano. The user can get a bright sound without boosting high frequencies on the recording console; the result is lower noise. The "flat" position provides a smooth, flat, high-frequency response for natural sound reproduction. The PZM-6D has a smaller plate and its low profile, unobtrusive appearance is appreciated in conference rooms, as well as on television, film and video productions. When suspended over an orchestra on a clear panel, the PZM-6D practically disappears. Its miniature, permanently attached 15-foot cable also reduces visual clutter. The output is a male 3-pin XLR-type, balanced and low impedance, which permits long cable runs without hum pickup or high-frequency loss.

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Crown Westbury National Boundary Mic

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dbx 1531X

Your dbx 1531X unit is a versatile, compact, one rack-space equalizer. A rear panel MONO/STEREO Mode switch selects operation either as a 31- band 1/3 octave EQ or as a dual 15-band 2/3 octave EQ. In either mode, the filters feature a constant-Q topology which reduces interaction between adjacent bands to ensure close correlation between the filter settings and the actual frequency response of the 1531X. The metal-shaft faders have an unusually long throw for a single rack-space EQ, and are switch-selectable to produce either 15dB or 7.5dB boost and cut.

DBX 266

The superb engineering in the 266 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. The 266s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays.

dbx 266

The superb engineering in the 266 ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. The 266s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics?even with complex signals, such as voice or reverb decays.

dbx 266A

2 Channel Compressor/Limiter

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dbx Driverack PA

The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA ; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, this version of DriveRack has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.

DBX FS900

W/2 902 Deessers. Excellent industry standard dynamic range processor for curing vocal sibilance,. Also use to create some interesting tonal textures on your mix. Tame harsh cymbals, screechy guitars, string noise etc? The de-esser retains the basic tonal texture of the voice or instrument you are processing. These DBX?s set the standard.?

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Digidesign HD Accel and HD Accel Core Cards

Two protools cards for PCIE

Digidesign Pro Control

Welcome to ProControl, Digidesigns dedicated mixing and editing controller for TDM-equipped Pro Tools systems.Its dedicated controls allow easy navigation through Pro Tools functions, including recording, mixing, editing, grouping, Plug-In control, and automation. Through the use of motorized faders and data encoders (rotary knobs), automation and mixing can be handily performed and given visual reference. Controller movements from ProControl are immediately reflected in Pro Tools on-screen controls, and vice versa.

DOD 831QX

1/3 octave, 31-band, constant- Q equalizer housed in a 2 rack space, all-steel chassis. It includes a shielded internal power supply, balanced XLR and 1/4" I/O. Also features a low cut filter at 50Hz with a 12dB/octave slope.

Earthworks QTC1 Microphones

A small diaphragm condenser microphone that is designed for use in the recording studio. It is a high definition microphone and it picks up frequencies between 4 Hz and 40 KHz, which is a huge difference when compared to normal microphones. The mic has an omnidirectional polar pick up pattern and comes in a case along with a sturdy clip to fit the size of the mic.

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Electro-Voice Everse 8

The Electro-Voice Everse 8 is a compact, portable, and adaptable PA speaker. It is designed for touring acts like singer-songwriters and even full bands when used with a mixer to expand its inputs. The EVERSE 8 is a weatherized model that combines all the features that any user would wish for performance, vocal reinforcement and/or audio playback, be it at the professional, amateur or recreational levels.

Electro-Voice SX300

Electro-Voice Sx300 two-way, high-efficiency, passive speakers. Featuring DL12Sx 12" woofers and DH2010A compression drivers enclosed in extra-durable molded black plastic cabinets, these speakers sound amazing, function well in a variety of settings as either mains or monitors, and are lightweight (33 lbs. each), portable, and simple to set up

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Electrovoice RE27 N/D

A high-performance broadcast and vocal microphone. It features a frequency response of 45 Hz to 20 kHz and can be used to capture audio for voice and instrument applications. The RE27N/D microphone has three selectable filters: -6 dB from 250 to 100 Hz, -12 dB from 1000 to 100 Hz and -3 dB high-frequency roll-off. It is built with integral wind and blast filters to protect the capsule, and the Neodymium element design brings 6 dB more sensitivity than standard dynamic microphones.

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Equi=Tech ET2R

Equitech ET2R 16.7-amp 1800 watt symmetrical balanced power supply. Used by top studios in the world for their power-line noise-cancelling properties, cutting jitter in half, eliminating ground noise (700 kHz).

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ERM Multiclock

The ERM Multiclock is your ultimate ally in achieving perfect synchronization across your digital and analog musical gear. This 4-channel clock generator is designed to seamlessly integrate and synchronize MIDI, DAW, DIN Sync, analogue sequencers, and even tape machines. Whether you're in the studio or on stage, the Multiclock ensures that your equipment speaks the same rhythmic language.

Eventide H3000

The H3000 has been in service in studios & stages all over the world for over 40 years. It has been used by nearly every major artist and producer and has lent its sound to many iconic recordings. It sits in a class of its own. The H3000 Ultra-Harmonizer introduced an entirely new range of features and effects to the Eventide Harmonizer line. With 11 effects algorithms and 100 presets, the H3000 was a truly intelligent pitch-changer and a programmable multi-effects unit. Its effects include stereo delays, reverbs, pitch-shifters, stutter effects, a vocoder, a string modeler, phaser effects and a sampler. All the settings are fully MIDI-controllable in real time, with every parameter being tweakable without any digital clicks being introduced into the signal.

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Fender Passport PD=250

Versatile, portable PA system ideal for small events, presentations, and musical performances. With 250 watts of power, this system includes a powered mixer and two full-range speaker enclosures, all designed for easy transport and quick setup. The mixer provides four mic/line inputs with XLR and 1/4" combo jacks, plus built-in reverb and tone controls for each channel, along with stereo RCA inputs for media playback.

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Furman PL8

2 slide-out, swiveling light fixtures for rack illumination, Dimmer control for lamp brightness, 8 accessory outlets in rear controlled by front switch, Triple-mode varistor spike and surge protection, RFI filtering

Furman Rackrider RR-231

The dual-channel RR-231 divides the spectrum into 31 bands, each spaced 1/3 of an octave apart. The actual center frequencies chosen are those designated as standards by the ISO. Each slider allows an EQ adjustment of /-6 dB or /-12 dB, depending on the setting of the Range switch. Built using compact 20 mm sliders two rows of 31 bands fit into just 2 rack spaces. Though small, the sliders are of high quality and have a smooth, silky feel. They are center detented for quick, reliable identification of the zero setting

Gator 2 Sp Rack

Gator 2 Sp. Case

Gator Mixer Bag

Carry your mixer around

Genelec 1030A

The Genelec 1030A is a very compact bi-amplified active monitor system, which has performance comparable to much larger systems. The vented speaker enclosure has an amplifier unit set into the back. This unit contains an active electronic crossover, overload protection circuitry and two power amplifiers: one for each driver. The systems excellent dispersion and precise imaging together with its compact size make it ideal for near field monitoring, broadcast and TV control rooms, mobile vans, home studios and travelling engineers.

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Groove Tube 1B

The GT1B 1B is a tube microphone that delivers a vintage sound using modern electronics. This enhanced reissue of the legendary Model 1A side-address, true condenser features a hand-assembled, hand-tested 1.10-inch diameter capsule with a machined brass housing. The ultra-thin 3-micron evaporated-gold diaphragm is the thinnest in the business. The triode-wired pentode operates in Class A mode. Groove Tubes rigorous quality control also insures that every microphone is within /-1 dB of a golden microphone spec to permit stereo pairing.

Groove Tubes AM51

It is a fixed Cardioid FET condenser with switchable pad and filter and transformer output, and was billed as an all-purpose studio condenser.

Groove Tubes AM51

It is a fixed Cardioid FET condenser with switchable pad and filter and transformer output, and was billed as an all-purpose studio condenser.

Hosa 16 Channel Snake

TRS X XLR

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Hosa DSub X XLR Snake

HTD AL-W65

High Definition In-Wall Speakers

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IK Multimedia Axe I/O

AXE I/O is a professional 2 in/5 out audio interface ? and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

IK Multimedia ILoud MTM

Following on from the popular iLoud Micro Monitor, the iLoud MTM introduces a double woofer system and the ability to tailor the sound to the room. This is a feature packed studio monitor in a compact package, capable of near flat frequency response and revealing incredible detail.

JBL 305P MKII

JBL 305P MkII active studio monitors are a great nearfield solution for any serious audio engineer or music producer. They're great for mixing music in your DAW software, editing video, or any other task that requires monitoring accuracy. JBL designed the 305P MkII with advanced features acquired from their 7 Series and M2 Master Reference Monitor, making legendary JBL performance accessible to every studio. JBL's innovative Image Control Waveguide works in concert with refined transducers to deliver a well-defined and incredibly dimensional stereo image.

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JBL LSR310S Subwoofer

Extend your system LF all the way down! The LSR310S subwoofer incorporates JBLs patented Slip Stream? Port working in concert with a custom 10" down-firing driver and a 200 Watt amplifier to add deep, powerful bass to any studio monitor system. A JBL first, the XLF Extended Low Frequency setting lets you hear your tracks with the augmented bass tuning used in todays dance clubs.

JL Cooper PPS-1

The PPS-1 allows MIDI sequencers and drum machines to sync to tape and gives them the ability to "chase tape". This feature resembles SMPTE in that the tape can be started anywhere in the song. Conventional sync boxes require that you always start at the beginning of the song

K&M Boom Stand

Kenton Midi USB MKII

The Kenton MIDI USB Host MKII will interface with the USB port on your EWI USB or AE-10 / AE-10G Aerophone and provide a MIDI OUT connection that you can connect to your MIDI synths so that you can control them with the wind controller. We here at Patchman Music have tested this device with the Akai EWI USB and the Roland AE-10 / AE-10G Aerophone wind controllers and they worked great with the Kenton MIDI USB Host MKII!

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KRK Rokit 7 Gen 4

KRK's Generation 4 ROKIT 7 bi-amp professional monitor brought music and sound creativity to a new industry-level when first introduced in 2019. A DSP-driven Graphic EQ with 25 settings to help condition your acoustic environment was one of several key advancements to offer new levels of versatility in a studio monitor. Matching drivers made with Kevlar? ensures the same sonic integrity across all frequencies. A scientifically designed speaker enclosure and front-firing port offer exceptional low-end extension and accuracy, punch and flexible room-positioning. Its powerful, yet efficient custom Class D power amplifier drives the speakers evenly and more efficiently at reduced operating temperatures and improves audio integrity

Lindell 6X-500 Preamp

The Lindell 6X-500 juices your 500 Series rack with a single-channel transformer-coupled mic preamp along with a passive 2-band Pultec-style equalizer. This all-discrete design, based upon the highly respected 990 op-amp, gives you an EQ section with the magical sound of a classic Pultec. With a 15db boost of the silkiest high end you'll ever hear and stunningly punchy low end, you'll wonder how Lindell managed to stuff a Pultec into this little module. Arm your studio with the fast, in-your-face sound of the delightfully affordable Lindell 6X-500

Little Labs PCP 3.0

The Little Labs PCP Instrument Distro 3.0 is an all-in-one triple transformer-isolated guitar splitter, triple output/input re-amping tool, active line-level direct box, and long guitar cable driver. Re-amp inputs and instrument inputs are selectable and sum together for each output. Each output has a selectable polarity, earth lift, and level control. The PCPs' functionality has not changed in the 26 years it has been in production, but the internal electronics have been revised and improved. The name PCP was a joke in 1997 at A&M Studios, where I developed the first "Professional to Cheesy Pedal" distro; the name does not tell the whole story.

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LittLite LW-12

The LittLite LW-12-LED 12" LED gooseneck light is a powerful and stylish way to light up your desk. A built-in dimmer dials in the perfect amount of brightness

Mackie HR824

The HR824 in action really is a revelation. The stereo sound field is wide, deep, and incredibly detailed. High frequencies and midrange are clean and articulated. Low frequencies are no more or less than what you recorded - you can actually hear the distinct tonal qualities (and harmonic quantities) of a particular bass instrument - instead of just a "generic" bass note. Most important, the sweet spot is a broad, 3-dimensional area that gives you room to move up, down, and across the console. In short, instead of having its own distinctive "sound," the HR824 sounds like the outputs of your mixer.

Mackie HR824

With one repaired woofer. An active, biamplified speaker that delivers a wide, deep, and incredibly detailed sound field. Delivers 150W for the lows, 100W for the highs. Features a 1" alloy dome high-frequency transducer, an 8-3/4" low-frequency transducer, 1/4" and XLR inputs, overload/clip LED, and logarithmic wave guide.

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Mackie Onyx Artist 1-2

The Mackie Onyx Artist 1-2 is tailor-made for singer/songwriters and content creators. Experience top-notch sound, thanks to high-resolution 24-bit/192kHz converters combined with premium analog circuitry. Inject your recordings with excellent fidelity and dynamic range, by virtue of a boutique-sounding Onyx mic preamp. You also get a 1/4" input with a hi-Z switch for DI-ing your guitar or bass. Tracking with the Onyx Artist 1-2 is a breeze, with zero-latency direct monitoring and a headphone output. Bus-powered for the ultimate in portability, the Onyx Artist 1-2 is a great way to capture any performance. No matter what you're recording, the Onyx Artist 1-2 will deliver studio-quality sound. Premium analog circuitry ensures maximum headroom and low noise. High-resolution 24-bit/192kHz converters capture every source with impressive accuracy. And an Onyx preamp imparts a boutique-ish warmth to vocals, guitars, synths, or anything else you run through it. The Mackie Onyx Artist 1-2 employs a true analog signal path directly from its preamp to your monitoring chain. This means that you can track while monitoring with zero digital routing and zero latency. At ADW, we appreciate being able to increase our DAW's buffer settings to maximize our computer's processing ability, while still benefiting from zero-latency monitoring. With the Onyx Artist 1-2, you can start making music as soon as you open the box.

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Mid Atlantic UQFP-4D

Ultra Quiet Fan Panel System provides smart cooling and monitoring to ensure a reliable installation in areas where fan noise is not an option, including boardrooms, classrooms, offices, houses of worship, etc.

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Midas Venice F16

The VeniceF-16 16-Channel Hybrid Console Mixer from Midas is a versatile hybrid mixer that bridges the gap between analog and digital audio consoles. It provides the ease-of-use, warmth, feel, and zero-latency of analog mixers, combined with the power, choice, and flexibility of outboard digital processing. The mixer has 8 mono and 4 stereo mic inputs on XLR connectors, plus 8 mono and 4 stereo line inputs on TRS connectors. There are 2 stereo aux returns, 1 stereo playback input, a talkback mic input, 6 aux mix busses and 4 audio subgroups to provide exceptional connectivity. It even provides stereo and mono master outputs, a 7 x 2 matrix, and a 16 x 16 channel FireWire interface.

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MOTU 896

The Motu 896 FireWire is a high-performance interface designed for both recording and live applications. Features: 28 inputs, 32 outputs, eight-channel 24-bit 192 kHz analog recording/playback, USB 2.0, sixteen-channel digital optical i/O

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MOTU 896

The Motu 896 FireWire is a high-performance interface designed for both recording and live applications. Features: 28 inputs, 32 outputs, eight-channel 24-bit 192 kHz analog recording/playback, USB 2.0, sixteen-channel digital optical i/O

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MOTU 896 MK3

The 896mk3 audio interface delivers advanced design, high-end performance, superb sound, and universal "hybrid" FireWire/USB2 connectivity to your Mac or Windows computer.

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MOTU Track 16

MOTU's Track16 desktop recording interface gives you the quality, versatility, and expandability you need to build a reliable recording rig that can grow and adapt to your needs. Intended to fit into any small to midsize recording rig, MOTU designed the Track16 to keep your invaluable desk space clear, while giving you access to a full set of hands-on controls. Need to tweak mic input 1? With the push of a button, the Track16's large central button lets you grab the level you need. The same thi

MXL V67G

If the MXL V67G recalls to mind a certain green-bodied/gold-grilled studio heavyweight, it's no accident. This vocal mic exceeds all expectations, aiming to bring the breathy diction and throaty warmth of a well-loved tube legend to a quiet, Class A project-studio design. The V67G's Class A FET architecture and transformer-coupled output result in a fast, faithful, and flattering reproduction of male and female vocals. We're talking lead vocals that lead, and spoken word passages that speaks. And whether you're emoting or narrating, the MXL V67G's gold-sputtered, 1.26-inch capsule is able to give your voice a healthy dose of old-school broadcast character. In a mix, this often translates to a sound that is larger than life

Nakamichi CM-300

The CM-300 is a battery powered condenser microphone preamplifier. It is equipped with an on/off switch and a switchable ? 10 dB attenuation pad. The CM-300 comes furnished with the small diaphragm CP-1 cardioid and CP-2 omnidirectional pre-polarised capsules

Neumann EA1

The EA 1 spider shockmount is designed for the TLM 103, TLM 102, TLM 127, TLM 193 and M 147 Tube microphones. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2"- and 3/8" stands. Nickel color.

Neumann TLM 170

The TLM 170R is known for its striking transparent sonic characteristics. Excellent impulse response is a major contributing factor to this lack of coloration that many engineers have come to love. Unique circuitry enables you to change polar patterns remotely via the N48R2 power supply. The TLM 170R is sure to make your next recording shine

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NoBrand TT Patch Bay

Peavey 16LM

Features:16 inputs, Stereo out Headphone out Each stereo channel has level control Headphone level Master out level 16.5 Volt AC adapter required (included) Single rack spaceI used it as a keyboard mixer

Peavey PR12

The Pro Lite series delivers superior sound quality by utilizing advanced materials, like its lightweight, roadworthy molded polypropylene exterior. The PR 12 is a two-way speaker system that is lightweight yet rugged for live music or speech applications and will handle 400 watts program and 800 watts peak. It utilizes a heavy-duty 12 inch woofer with a 2 ? inch voice coil and a RX14 1.4 inch titanium diaphragm compression driver coupled to a constant directivity horn. Its durable injection molded enclosure features a black powder-coated steel grille that provides driver protection and a professional appearance. This system can be used on the floor, be pole mounted or flown via top and bottom flying inserts. Connections are made via two 1/4" phone jacks connected in parallel to accommodate daisy-chaining.

Pelican 21X18 Case

Pelican Utility Case

21x16 Holds stuff

Porsche Powerstixx Platinum

Computer Speakers

Porsche Powerstixx Platinum

Computer Speakers, not a race car

Presonus EQ3B

The Presonus EQ3B Parametric Equalizer offers 3 bands of fully parametric equalization. Each band is overlapping with adjustable frequency range, Q, and cut/boost control. The faceplate also houses a bypass button and 80Hz roll-off. Other specifications include -98dB noise floor, 24dBu headroom, truly balanced I/O, and a wide frequency response. The back of the equalizer unit houses balanced XLR and unbalanced 1/4" TS inputs and outputs. the EQ3B is powered by an external wall-mounted power supply.

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Presonus HP4

Tired of straining to hear underpowered headphones? The PreSonus? HP4 headphone-distribution system is louder than you're ever likely to need for session and stage use. (Be careful with that level control!) Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear! Simplicity is the HP4's hallmark. It offers left and right line inputs, left and right line outputs with level control, and four headphone outs. You can sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.

Rane ME15B

The 2-channel ME15B's features include fully balanced inputs and outputs and 3-pins XLR and 1/4" TRS connectors. The active filter sections feature Rane's innovative constant-Q (constant bandwidth) design. This means the bandwidth of each filter is guaranteed to be narrow enough to prevent unwarranated interaction between filters, yet wide enough to produce exactly the type of correction curve demanded by even the most unusual acoustic surroundings

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Rane Mojo MH4

The Rane MH 4 provides master stereo inputs which can be used to drive the four stereo headphone amplifiers. A mono switch is provided on the front panel to drive both channels of all four amplifiers from a common mono source. The MH 4 is capable of delivering up to 200 milliwatts into headphones with rated impedances between 32-600 ohms. The MH 4 produces sound pressure levels in excess of 120 dB. Balanced stereo 1/4"" inputs & stereo/Mono switchable. Extremely low noise, headphone dependent overload indicators.

Rane SL1

The Rane SL1 combined with Serato Scratch Live set the standard for vinyl emulation, giving you the freedom to take your entire digital music collection on the road and equipping you with advanced features that add extra creativity to your DJing. This intuitive system replicates the traditional DJing experience for ?real feel? usability. With unparalleled performance and stability, you'll know why thousands of DJs worldwide choose the Rane SL1 and Serato Scratch Live.

Realistic Minimus 7

The Minimus 7 is little only in size, not in performance - it's a real giant in concert hall sound. The high compliance woofer element gives astounding bass and the dome tweeter produces crisp, clean highs. Careful acoustic design matches the two dynamic elements with the enclosure and damping materials - resulting in amazingly smooth, broad frequency response.

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Royer Microphone Box

Royer Microphone Box

Samson 2 Mic Boom Stands and Case

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Samson Servo-260

A mainstay of our popular Servo amplifier line, the 260 can be used to power near field monitors, passive headphone distribution systems in the studio and small live sound reinforcement setups. It is also a great choice for stereo keyboard or guitar amp setups with external mixer or preamps or amplifying a large screen TV or video system. The Servo 260 is dedicated to transparent audio, consistent performance and the rugged construction you need from a professional amplifier.

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sE Electronics Z-5600

The SE Electronics Z5600 is a tube capacitor (condenser) microphone with an amazingly low price tag. It comes with a suspension mount and an external power supply. (Some of those high-end European manufacturers make you pay extra for the suspension mount - as much as a good mic sometimes!). Tube microphones generally do need external power supplies; those that can run from phantom power are rare. However, this type of mic will most likely only ever be used in a studio, rather than for live work or location recording, so it doesn't really matter. One interesting feature is that even though this mic is quite low in cost, it offers multiple patterns all the way from omnidirectional to figure-of-eight with more intermediate stages than you would expect. These are selected on the power supply rather than on the microphone. As a tube mic, you would expect a more 'present' sound than a transistor microphone. Combined with the large diaphragm, this will give an upfront, quite in-your-face sound quality. You should also expect a little more noise, but as the typical usage would be close to the sound source you should not find this a problem.

Shure MX393/O

There's never been smarter boundary microphones than the Microflex models from Shure. With many models to choose from, equipped with features like programmable, silent membrane switches, logic inputs and outputs, and LED indicators, Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Cardioid, supercardioid and omnidirectional polar patterns Programmable, silent membrane switch LED indicator

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Shure PG56

The Shure PG56-XLR Dynamic Drum Microphone has a sturdy die-cast housing that contains a rugged dynamic cartridge with neodymium magnet that's tailored for snares and toms. Internal shockmount and a hardened steel grille prevent handling noise and ensure years of trouble-free service. Frequency response: 50Hz-15kHz. Shure includes clip, mic pouch, drum mount, educational guide, and 15' XLR cable with your PG56-XLR Mic.

Shure PGADrumKit7

The PGADRUMKIT7 includes a complete microphone package for reinforcing kick drums, snare drums, rack toms, floor toms, congas and cymbals for performance and recording.

Shure SLX4 W/Beta58

The Shure SLX4 is a single-channel rackmount wireless receiver housed in a rugged metal chassis. It is compatible with the SLX1 bodypack and SLX2 handheld transmitters as well as the MX690 boundary and MX890 desktop base transmitters. The receiver offers high-quality, reliable audio to presenters, clergy, lecturers, and performers working in business and educational settings, houses of worship, theaters, or on musical stages.

Shure SM81

The Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals. The SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions

SKB 4 Sp Rack Case

SKB Mixer Case

If you need to take your mixer somewhere, use this.

SM Audio PR8DS

Pro Audio PR8DS 25pin output PR8E.The PR8-DS from SM Pro Audio is an 8 channel microphone preamplifier. The unit features front panel XLR/TRS jack "Combo" input connectors, and 48V phantom power switchable for each channel. Outputs are available via a rear panel 25-pin D-sub connector.SM Pro Audio PR8DS Features:8 microphone preamps Ultra-wide dynamic range with low-noise operating levels

Sony ECM-MS5

Specifications Type: condenser Polar pattern: cardioid Frequency Response: 70Hz - 20kHz Output Sensitivity: 10mV/Pa Max SPL 130dB for 1%THD Self Noise (CCIR): 20dB Output Impedance: 150? Powering Phantom: 12-48 Supply Current: 2mA Alternative Powering Battery operation with optional DC-MS5 Switchable Options Filter/EQ 250Hz Physical Characteristics Connector: XLR-5M Available Colors: Black Weight: 215g (7.57oz) Length: 212mm (8.34") Max Diameter/Width: 47.5mm (1.87")

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SSL XLogic Preamp

A beast of a mic preamp with some serious flexibility. Known for clean, high headroom audio with the option to add grit and color

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Symetrix 501

The Symetrix 501 Peak/RMS compressor/limiter is a precision dynamic range controller intended for use in the most demanding professional audio applications. The 501 is two dynamics controllers in one unit. Separately controlled, simultaneous RMS detection and peak limiting is provided so that the limiter can be set to prevent spikes and allow the compressor to control the signals without applying more than the desired amount of gain reduction. The 501 performs both duties with unsurpassed distortion and noise specifications. A full complement of controls gives the operator the ability to perfectly tailor dynamic response. This isnt a one slider device; you are in control.

TC Electronic Platinum Voicemaster Pro

The VoiceMaster Pro is designed to create the perfect vocal sound at an unbelievably competitive price point. The unit bridges the gap between the flagship ISA 430 'Producer Pack' and the original VoiceMaster, featuring design aspects from both the legendary ISA range and the award winning, cost-effective Platinum range.

TC Electronic Powercore

PowerCore FireWire provides a significant amount of power, with fast DSPs and oodles of RAM. It is ideal for high-end production environments where the uppermost quality and processing capabilities is required. Designed for serious studios and professional applications, the PowerCore FireWire is sure to deliver, and it will take care of even the most demanding tasks and requirements.

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TC Helicon VoicePrism

VoicePrism is a single-box voice formant and pitch processor. Designed primarily for use on vocals, VoicePrism is strictly a mono in/stereo out processor. Features include line- and mic-level inputs (a built-in preamp with phantom power is standard), compression, gating, dual parametric EQ, 4-voice harmony (with individually adjustable gender controls and humanizing parameters), fifth-lead doubling voice for automatic double-tracking, and two separate post-effects blocks with chorus/flange, delay and reverb, and harmony libraries. Harmony effects can be created by ?reading? the input signal or may be driven by a MIDI input from a keyboard or sequencer, allowing for super-accurate harmonic doubling or for creating multivoice chords and textures that simply cant be sung.

Telos Zephyr Z/IP One

Z/IP ONE is a 1 RU rack-mount IP codec for remote broadcasting. It's a single-space rack unit perfect for studios, TOCs and remote kits. Z/IP ONE Includes a full range of codecs including AAC-ELD, AAC-HE, AAC-LD, MPEG 4 AAC, MPEG 2 AAC, MPEG Layer 2, G.711, G.722 codecs, plus linear audio and optional aptX? Enhanced coding. Z/IP ONE supports SIP 2.0 protocol and conforms to N/ACIP standards; it also works with VoIP devices and connects to compatible SIP PBXs. A choice of Livewire AoIP with standard analog I/O, or optional AES/EBU I/O, is available.

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Ultimate Support Speaker Stands

Keeps your speakers up off the floor where they belong

Universal Audio Apollo Solo

Windows Only. Experience class-leading Apollo sound ? as heard on hundreds of hit records Record your vocals and synths in realtime through classic mic preamp emulations from Neve, API, Manley, Avalon, and more Enjoy clear, detailed monitoring with the best-sounding headphone amplifier in its class Create on-the-go using a sonically superior bus-powered interface with rugged all-metal construction

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Universal Audio Apollo Twin X Duo Gen 2

Boasting next-generation elite-class AD/DA, Universal Audios Apollo Twin X DUO Gen 2 yields the lowest distortion and widest dynamic range of any Apollo Twin to date. The Apollo Twin Xs powerful onboard plug-in processing provides you with award-winning emulations of tried-and-true studio classics that you can track through in real-time using UAs vaunted Unison preamp technology. Of course, you can also combine Apollo Twin Xs onboard DSP with your host computers native processing to create a powerhouse hybrid workflow. Meanwhile, youll be able to mix confidently in any room or through headphones using Apollo Monitor Correction (an optional add-on); plus, Bass Management optimizes your subwoofer for maximum low-frequency detail. Youll never miss a take again, courtesy of Apollo Twin Xs Auto-Gain feature, which sets your levels across multiple inputs. Full-featured monitor control with speaker switching and integrated talkback are also in play. Furthermore, the updated UAD Console app enables you to quickly set up low-latency cues, plug-in scenes, and immersive audio monitoring, in addition to lock-tight LUNA integration. You also get near-zero latency and ample expandability, thanks to Apollo Twin Xs ultra-fast Thunderbolt 3 connectivity. On the fence regarding a performance upgrade? Now is the time to make the jump ? Universal Audios Apollo is truly better than ever

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Universal Audio LA610

The LA-610 brings UA's legendary vintage "all tube" luxury sound into a modern channel strip format by combining the 610 Mic-Pre/EQ/DI section and a T4 Opto-compressor into a single 2U unit with a ground-breaking price. The 610-tube preamp,DI and EQ is from UA's TEC award winning 6176 and is based on the legendary console modules developed by Bill Putnam in the 60's. Countless classics have been recorded using these preamps, noted for their musical character and warmth. The simple operation and program dependent nature of the LA-610 T4 compressor provides the same extremely musical control that has made the LA-2A such a well-loved classic for over 40 years. The LA-610 packs tremendous sonic versatility and is an ideal front-end for tracking with modern DAW's and the serious project studio looking to get the UA sonic experience : real quality and character at an accessible price.

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Urei 6500

Output power 20Hz -20KHz Per Channel ; 8 Ohms 275 watts 4 Ohms 450 watts 2 Ohms 600 watts Output power 20Hz -20KHz Bridged ; 8 Ohms 900 watts 4 Ohms 1200 watts

Warm Audio WA-73

The WA73-EQ & WA273-EQ recreate the most iconic British console channel strip sound made famous by legendary recordings from the 60s and beyond. Known for delivering rich, full analog warmth with frequency control, the original became the foundation of classic rock and was the centerpiece of countless timeless hits. The sound of those famed console preamps can be heard on recordings by The Beatles, U2, Kendrick Lamar, Led Zeppelin, and many more

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Yamaha HS5

The Yamaha HS5 active studio monitor will help you make better-sounding recordings. Yamaha's nearfield monitors with those iconic white-coned woofers have been ubiquitous in top studios worldwide ever since the original NS-10s hit the scene in the late '70s. Yamaha has continuously developed and perfected their monitors, resulting in HS series monitors with newly designed bi-amplified drivers and scientifically ported enclosures that deliver amazing accuracy and vanishingly low coloration. Don't mix in the dark. Nail what you're after without the guesswork, with Yamaha's HS5.

Yamaha HS80M

The Yamaha HS80M speaker is a 120W, biamped reference monitor with an 8" neopropylene woofer and 1" tweeter. Designed to deliver an honest mix, the HS80M monitor speaker has a flat 42Hz-20kHz frequency response. Room control and frequency response switches allow custom tailoring of the monitor's response, making it perfect for all types of recording and multimedia applications. Easily create a 5.1 surround sound setup with the addition of an HS10W powered subwoofer (sold separately). Enclosure is constructed of high-quality MDF material and feature a multi-layer finish that minimizes resonance.

Yamaha M406

The Yamaha M406 is a sophisticated six input channel, stereo output sound reinforcement mixer designed for rack mounting in fixed installations or portable cases It is an excellent choice as the sole mixer in a small club, meeting room, school, church, or similar application. A smoked plexiglas security cover may be installed to prevent unauthorized tampering with control settings. The M406 also makes a fine submixer to augment larger mixing consoles in more complex sound systems, including the record, broadcast, film and video production environment. The M406 is brings you the same advanced M-series features and technology found in our PM-2000, but in a compact. portable package. Rugged, internally modular PC board construction ensures ease of servicing and years of reliable operation. There are echo and program bus sub inputs and sub ou tputs for linking two or more mixers, and a wide range 3-band EQ. Phantom power for condenser microphones is standard, with 0n/0ff switching. Input sensitivity is adjustable for virtually any microphone or line level source by means of a positive, repeatable input level switch on each channel. Theres plenty of internal headroom so there is no distortion even during the loudest and most complex of mixing jobs, and 24 dBm 600 ohm balanced output deliver that clean signal to any professional sound equipment. Overall, the M406 has the attractive appearance, smooth control feel and superior sound quality you?ve grown to expect from Yamaha.

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Yamaha MY8-AE96

The Yamaha MY8-AE96 is an optional digital I/O card for compatible Yamaha digital mixing consoles and signal processors. It provide eight inputs and eight outputs for 24-bit, 44.1/48/88.2/96 kHz uncompressed AES/EBU compliant digital audio.