Guitar Pedals • Effects Pedals

 Humbucker Rings

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Aspect Design Juice Box

This is the finest, safest and most versatile pedalboard power supply available. It's the only unit of its kind to handle all three common FX voltages (9, 13.2, and 18 vdc) PLUS offer an isolated 9VAC output. The new JBX-002 has been totally re-engineered from the chassis to the transformer More than 25000 guitar effects pedals from 4000 brands: https://www.effectsdatabase.com/model/aspectdesignlabs/juicebox

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Bogner Blue Ecstasy (New)

Capture that big Bogner amp sound in a pedal with the Bogner Ecstasy Blue Pedal. Designed after the blue channel on the Bogner Ecstasy amp, this pedal delivers all the killer rock crunch you could ask for. Sculpt and carve out your perfect tones with four tone-shaping switches that go beyond traditional EQ. Ecstasy Blue was designed using discreet Class A circuits like an amplifier, no op-amps, and clipping diodes found in pedals. The tone, response, and vibe of the Ecstasy Blue is pure Bogner goodness!

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Bogner Harlow

The Bogner Harlow is a unique boost pedal with a "Bloom" compression feature, which serves up dynamic three-dimensional punch and tastefully transparent squeeze. The 100% analog circuit delivers a wide range of boost-from crystal-clear light boost to a thick and meaty high-output assault on your amp's input section-you'll never want to turn it off. At the heart of the Harlow is a custom audio transformer created by legendary audio pioneer Mr. Rupert Neve. Masterminds Reinhold Bogner and Mr. Rupert Neve have teamed up to produce superb audio-effects pedals that serve up rich, buttery tones, ultra-dynamic response and a stunning, three-dimensional sound quality inspired by the classic mixing consoles of the 1960's. Mr. Rupert Neve is a living legend renowned for having designed professional recording equipment and early large-format mixing consoles which feature outstanding sound thanks to his custom transformer-coupled inputs and outputs. Countless iconic rock and roll records were cut with Mr. Neve's equipment including such classics as "Rumours" by Fleetwood Mac, "Damn the Torpedoes" by Tom Petty and the Heartbreakers, and Nirvana's "Nevermind" to name just a few.

Boss CE-5

The CE-5 Chorus Ensemble is BOSS' ultimate compact chorus pedal, covering a wide frequency range and featuring high- and low-cut filters. This lets users create any kind of chorus effect?from a mild, natural chorus to the clear and penetrating stereo chorus effect popular in contemporary music

Boss DD-7

Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.

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Boss DM-3

Made in the 1980s, the DM-3 was the last analog delay produced by Boss, building on the now-vintage sounds of its older sibling, the DM-2. Adding an additional filter and high-speed noise reduction to the earlier circuit, the DM-3 also features a Direct Out jack, which lets you run 2 amps, for a pseudo-stereo effect. That is hands-down one of the best features of this pedal, and why I keep coming back to it after all these years.

Boss DS-1

The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Boss DS-1 W/Seeing Eye Mod

Keeley Electronics Boss DS-1 SEM was designed to correct the originals shortcomings both in tone and distortion quality. The intention of the DS-1 SEM was to not only increase the amount of gain available, but also make it usable, smoother gain through careful tuning of the tone control network. Beyond tuning the DS-1 SEM for better tone through new values of parts, many of the original units parts were discarded and substituted for premium components such as tantalum capacitors. To increase initial gain, Keeley incorporated a unique diode in the circuit, which doubles as the "Seeing Eye". As notes or chords are played, the light-emitting-diode flashes and pulses with equivalent intensity as your guitar signal. A cool look certainly, but very useful ? in fact, this type of clipping is used to help "gain up" even the most famous of amplifiers such as Marshalls Jubilee series amps, first introduced in 1987, and reissued in various forms since then.

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Boss DSD-2 MIJ

What makes this pedal unique and special is this shares the same delay chip as the vintage DD-2 delay pedal that produces a crystal clear, but warm repeats. Production a beautiful chime unlike any other digital delay! The difference between the DD-2 and the DSD-2 is simply a ?hold? feature where you can sample a guitar note by a second or two and play phrases on top. This feature is outdated now, but is very charming

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Boss FDR-1

The second in the new Legend Series is the FDR-1, based on the Fender 1965-era Deluxe Reverb ? a coveted tube amp known for its natural touch-responsive and distinctive snappy overdriven sound. In conjunction with Fender, BOSS designed this stompbox to recreate the legendary tone of the 1965 Fender Deluxe Reverb amp. Features include the same controls on the original Deluxe Reverb: Level, Gain, Treble, Bass, Vibrato and Reverb. The FDR-1 also functions perfectly as a ?pre-gain pedal? placed before an already overdriven amp to add the tone character of the Deluxe Reverb.

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Boss HM-2 MIJ

An all out metal distortion onslaught. Used for classic cutting metal guitar tone on more records than you can count, the Boss HM-2 is built like a tank and delivers

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Boss RV-2

MIJ Meet the Boss RV-2 Digital Reverb, a pioneer in the realm of digital reverb pedals. Boasting authentic vintage circuitry, the RV-2 is renowned for its versatile performance and signature Japanese circuitry, reminiscent of older models. Its stand-out features include a pre-EQ circuit for precision tone-shaping, and a choice of six distinct reverb modes, encompassing room, plate, and hall. This trailblazer was one of the first digital reverbs to hit the market, setting high standards for future pedals. The RV-2 is the go-to choice for achieving a diverse range of reverb effects without compromising on board space or budget.

Boss SD-1 W/Keeley Mod

The SD-1 has great tone to start with. As with all of Robert Keeleys modifications every component that is added is of the highest quality. Metal film capacitors are used in the SD-1 modification to provide the smoothest mid-range and high frequency. The overall bass response of the pedal has been increased as well. Metal film resistors are used in all of our changes to give each pedal a consistent sound with extremely low-noise. In addition we have improved the BOSS switching making it even closer to true-bypass! The SD1 Ge modification includes a two-way gain switch that lets you select between two different diodes for the clipping/distortion section of the pedal. The ?down? position selects a germanium diode (the ?Ge? part of the name). The Ge diode clips the signal more than a standard silicone diode. This provides a more saturated, compressed, and smoother sound with more distortion available. The ?up? position selects an LED for the clipping section, which clips less, allowing a clearer, more ?open? sound, with less compression, more dynamic response, and more available output. Both are asymmetrical and both are an attempt to make the pedal more ?tube-like,? since tubes and transformers rarely produce a symmetrical distortion.

Boss SP-1

Black Label. The BOSS SP-1 Spectrum was an effect that boosted a select band of frequencies, so that instruments with a tendency to be ?muddy??such as electric bass?could be brought out in the mix. But the SP-1 also proved to be very popular among keyboard players, who paired it up with electric pianos such as the Fender? Rhode

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Boss VB-2

Black Label. This underground BOSS classic produces warm, characterful tones with mild pitch fluctuations and dynamic control of the modulation onset with the unique Rise Time function

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Cusack Tap-A-Delay

A highly usable and versatile delay with an updated and handsome aesthetic. This delay features digital functionality with the subtle grit and noise taken from analog delays of the past.

D'Addario Planet Waves Pedalboard Cable Kit

D'Addario's DIY solderless cable kits are the ultimate solution for custom wiring pedal boards, rack gear, and your entire layout from guitar to amp. Say goodbye to messy, unreliable wiring and say hello to custom cut cable lengths that perfectly suit your needs. D'Addario plugs and cables provide the most accurate and reliable sound reproduction, from guitar, to amp, and all points in between. Many of D'Addario's most notable artists use the solderless cable kits as their primary pedalboard and rack wiring solution. Custom cut cable to suit your pedal board's layout. The plugs and cables in this kit are specially designed for quick and reliable assembly, simply cut, twist and screw and you're done. Includes 40-feet of the American Stage cable, 6 right-angle 1/4-inch plugs and 4 straight 1/4-inch plugs all featuring the D'Addario patented Geo-Tip, a screw driver and a mini cable cutter.

Dentone Buzzaround

This is a new version which is more pedalboard friendly. It can utilize a Standard Boss-style 2.1mm adaptor (not included). No battery option. You can daisy chain this fuzz with the rest of your pedalboard with no issues. Utilizes an on-board charge pump to allow it to use a standard negative ground adaptor. Plus, I've added what most people would agree is the most valuable Buzzaround mod of them all, a Master Volume knob. The controls on a Buzzaround are very interactive and a lot of great tones exist where all the knobs are at or near max. However, this is a very loud pedal when all the controls are near max and with the original there is no way to reduce volume and keep those amazing tones. That's where the master volume (knob on the edge) comes in. Makes this pedal much more usable for stage and recording situations.

Digiplay Flanger FL-60

Speed controls the speed/rate of the LFO waves that control the flanger Range controls the depth of the LFO waves that control the flanger Manual controls the center amount of shift Color controls the amount of feedback/resonance Made in Japan for Stinger/DigiplayMartin Guitars (and maybe a few other labels), based on circuit board/parts

DOD FX55C

The DOD FX55C Supra Distortion is a great high gain distortion. Adds some suprisingly mean grit to any noise setup.

Dunlop Crybaby With Joe Gagan Moc

A Joe Gagan-modded Cry Baby is a customized version of the classic Dunlop Cry Baby Wah pedal, tailored by pedal builder and modifier Joe Gagan to deliver unique tonal qualities and enhanced versatility. Gagan is known for his expertise in modding wah pedals, and his modifications often focus on improving the tonal range, response, and expressiveness of the Cry Baby, making it ideal for players who want a more versatile and expressive wah.

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Earthquaker  Data Corrupter

Dominate the soundscape with the EarthQuaker Devices Data Corrupter harmonizing pedal. Featuring a modulated monophonic Phase Locked Loop (PLL) circuit, the Data Corrupter turns your electric guitar into a three-voice synth. The master oscillator creates harmonies up to three octaves above. A vivacious square wave delivers wild fuzz tone. And you can also generate subharmonic harmonies down to three octaves below. Blend the three voices to explore a whole world of analog synth tones with gloriously chaotic unpredictability. When it's time for your guitar to stop sounding like a guitar, switch on the all-analog EarthQuaker Devices Data Corrupte

Earthquaker Monarch

The EarthQuaker Devices Monarch smothers your guitar's tone with heaps of gorgeous-sounding dirt. This all-discrete, FET-based overdrive pedal delivers awesome high-gain tones with massive low end and a snappy, bright top. The guitarists at Sweetwater took special note of the Monarch's tone controls. Not only do they function as frequency boosters rather than roll-off filters like many other overdrives, they're located in the Monarch's preamp section, so they have a huge impact on your sound. The EarthQuaker Devices Monarch FET overdrive pedal gives you an overdrive that's awesome for big, fat chords with ample distortion-shaping option

Earthquaker Westwood

Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwoods Level control has enough output on tap to alert the proper authorities. Even the FBI.

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EBS Bass IQ (Brand New)

The EBS BassIQ is an analog envelope filter pedal that is triggered by the notes you play. The results are the funkiest and most responsive sounds in a stomp box. Auto-Wah or Funkadelic Sounds The pedal achieves sounds ranging from the classic auto-wah to your own unique space-bass or ?Funkadelic? sound. It features controls for threshold and attack, and runs in three different modes, Hi-Q, Up and Down. The 2008 edition uses true bypass technique. Improvements with the new edition 3 dB higher headroom Higher sensitivity - easier to dial-in New analog circuitry with higher dynamics and lower noise. Mechanical True Bypass switching

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Electro-Harmonix Soul Food W/Alchemy mod

Tone aficionados kept telling EHX's Mike Matthews about a pedal that had achieved a lot of buzz because it was only obtainable at an exorbitant price. That pedal was the Klon Centaur. A believer in bringing great tools to starving musicians, Mike tasked his trusty team to create an affordable alternative, and that is how the Soul Food was cooked up. The Soul Food delivers transparent overdrive with great touch and response. Its circuitry features boosted power rails to provide abundant headroom and increased definition. Best of all, you don't have to be a rock star to own one

EMG SA

The SA is an active single coil pickup loaded with an Alnico V bar magnet that has an unmistakable Strat? sound: bright, airy, with a rich bottom end. With internal shielding and a low impedance preamp, you get a virtually noiseless pickup without sacrificing a true single coil tone.

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Ernie Ball Volume Pedal

Passive Volume Pedal

fOXX Fuzz/Wah/Volume

Who says you can't have your fUZZ and WAH it too?? ?fOXX Pedals reissues one of the most popular multi-effect wah pedals ever made?the Fuzz Wah Volume. This monster wah pedal combines the cry of a wah with the legendary fuzz of the fOXX Tone Machine. The Fuzz Wah Volume produces everything from a sultry, dirty blues cry to a fuzzed-out, funk-busting wail More than 25000 guitar effects pedals from 4000 brands:

Fulltone 2B

The Fulltone 2B is a tiny, transparent, and amazing boost pedal, born from the ?Boost? channel in our FD3 pedal. Crammed the circuit into the smallest possible enclosure 4.5" x 2.1" x 2.3" with battery tucked tightly inside and even engineered space-saving rear-mounted IN, OUT, and DC power jacks.

Fulltone GT-500

The Fulltone GT-500 is a truly unique overdrive pedal. There are two independent channels - a cool feature to say the least - but what really sets this stompbox apart is the unassuming toggle situated in the middle of the pedal. This toggle on the GT-500 lets you choose the signal path - place the Booster in front of or behind the Distortion channel to create your own custom distortion. For discerning guitarists on the quest for the ultimate distortion tones, the GT-500 is a perfect choice! Related Videos: GT-500 Booster/Distortion

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Gator GPB-LAK1

Black Small aluminum pedal board with Gator carry bag and bottom mounting power supply bracket. Power supply not included

Goudie 808

The GoudieFX 808 is based on the classic ts808 design with the less/more mod applied and component upgrades across the board. The less/more mod yields less gain at minimum settings (great clean boost) and twice the gain at maximum drive settings. This is a great sound for many styles including alternative, jazz, blues, rock, hard rock and country, also sounds great pushing a cranked marshall or mesa for a lead boost. There is a toggle switch that allows you to select either symmetrical (toggle UP) or asymmetrical diode clipping (toggle DOWN). Asymmetrical mode adds an extra diode to one side which gives you more head room and less compression, very bluesy strat sounds. The 808 is built using a new production JRC4558D, 1% metal film resistors and quality polyester film capacitors for a great tone with the least noise possible. This pedal comes in a dark forest green powdercoat finish with white silkscreening that shows very well on dimly lit stages. The LED is green, blue is also available if preferred. More than 25000 guitar effects pedals from 4000 brands: https://www.effectsdatabase.com/model/goudiefx/808/plus

Guyatone TD-1

Experience the vintage warmth and dynamic range of the Guyatone TD-1 Tube Distortion Pedal, a classic piece of gear that seamlessly blends old-school tube sound with modern reliability. This pedal is designed for guitarists who are passionate about achieving that coveted tube-driven distortion that characterized the iconic tones of rock and blues. At its core, the TD-1 features a genuine 12AX7 tube, delivering rich harmonics and a warm, natural overdrive that emulates the breakup of a cranked tube amp.

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Hermida Zendrive Red Spot

?The Zendrive is one of the most elegant sounding overdrives Ive ever heard?. Whether youre seeking a glass-smooth overdrive with flawless string-to-string clarity or a clean booster/sweetener for a medium-wattage combo, your search is over.

Honz Tonewood

Coming in at about the size of a cell phone that instantly adds reverb, delay, echo and more effects to your acoustic's natural unplugged tone, the HONZ Tech ToneWood Amp is a revolution for the acoustic guitar. Doubling as a multi-effects processor that works seamlessly with any PA or amp system, the Tonewood Amp brings even more functionality into the fold as an iDevice interface with USB connectivity for additional apps and editing abilities. A novel accessory for the acoustic

Ibanez AD9

The Ibanez AD9 Analog Delay pedal brings back the sound, looks, and functionality of a classic! Built to give you the classic sound of a great analog delay without the hassles and inconsistencies of tape and disk units, the compact AD9 Analog Delay provides a very clean sound and easy adjustability. Ibanez equipped this pedal with Delay Time, Delay Level, and Repeat controls to give you a range of adjustable delay effects, and an additional dry output allows you to run a true-stereo 2-amp rig Packed into a classic-looking, road-tough enclosure, the AD9 Analog Delay is the real dea

Ibanez DS10

Much like the famed TS10 Tube Screamer in that it utilizes the same JRC4558D operational amplifier IC to produce a nice warm distortion. With the DS10 you have better control over a wider range of tone

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Ibanez MS10 Metal Charger

This is a wonderful distortion. It's got plenty of gain, and cleans up wonderfully.

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Ibanez Tube Screamer Mini

Get classic Tube Screamer-style overdrive in a space-saving stompbox with this used Ibanez TS MINI in good condition. It delivers warm, mid-focused drive that tightens your tone for blues, rock, and lead boost, with straightforward Overdrive, Tone, and Level controls for fast dialing. The compact mini enclosure saves pedalboard room while still offering rugged build quality and standard 1/4" input/output connections for easy integration into any rig

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ISP Decimator

The ISP Technologies Decimator has earned legendary status among professional musicians and recording engineers as one of the most effective noise reduction pedals ever created. ISP Technologies has built an outstanding reputation for developing cutting-edge noise suppression technology that preserves signal integrity while eliminating unwanted noise, making their products essential tools for high-gain guitarists and studio professionals. This particular model is highly sought after for its transparent operation and ability to dramatically reduce noise without affecting the natural tone and sustain of your instrument.

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ISP Decimator II

ISP's Decimator II noise gate guitar pedal ups the ante over the original Decimator design to give you even better noise reduction. The Decimator II sports linearized Time Vector Processing in its expander tracking, giving you incredibly smooth sustained-note decay that's virtually free of release rippling. Connect a Decimator pedal between your guitar and amp's input and another in your effects loop, and you can link the two via 1/8" cable allowing both pedals directly track your input signal. For the ultimate in electric guitar noise reduction, put an ISP Decimator II in your signal chain

ISP Impression

Get the most-common pedalboard effects in a single unit with the ISP Technologies Impression multi-effects pedal. Loaded with high-quality, DSP-based chorus, reverb, delay, and flange effects, the Impression is designed to become the core of your effects rig. Use up to three of the effects simultaneously to create lush soundscapes and well-honed tones. The stereo output is perfect for feeding dual amp setups

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Jam Red Muck

Vintage-sounding Fuzz-Distortion pedal, inspired from combining the circuits of the 71 ?triangle? and the later ?Red Army / Civil War? Muff. Along with our individual touch, the end result boasts a smoother sound, fatter low end, pronounced midrange and added tonal flexibility of the tone knob. If youre looking for that lyrical Gilmour tone then this is the pedal for you !

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Jext Telez Range Lord Red Sleeve Limited Edition

Thee supreme rangemaster. The best tonal balance and holy distortion character in an Rangemaster pedal.

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JHS Moonshine

Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable distortion for shaping and creating unique mid heavy tones for almost any need.

Keeley Filaments

The Keeley Electronics Filaments accurately replicates high-gain tube amps by layering three stages of gain while providing seven ultra-flexible ways to EQ the tone. Level and Gain set the stage for rich layers of high gain tube-amp saturation. Bass and Body give you the punch and authority of a gain monster no matter what size amp you are playing. Even if youre running a 10-inch speaker the bass and body controls will give you the low end bass response you need. Running through a 4x12 already? Just dial back the body control to keep the sound tight and focused. Have an amp thats hard to push? The Boost and Crunch switches give you two different levels of gain and compression to get your edge just right for your tone. The Presence control works with the Bright control to give any guitar or pickup combination the authority to stand up and shout. Lastly, the Treble control gives you that added range of highs to make your amp sing. Style is a Metal Heads Swagger Metal is more nuanced and subdivided that nearly any other style of music outside the classical stuff. The Keeley Filaments High Gain Distortion pedal feels your pain, brother. So of course its amazing 7 layer tone-shaping lets you chameleon into any of these types of metal: Christian or Death Metal, Black Metal or Folk Metal, both types of Core, Grind and Metal. Crust Punk or Glam Metal? Progressive Jazz Metal or just good old Stoner Metal? Keeley has you covered. Get a Keeley Filaments High Gain Distortion pedal and pound it out!

Keeley Fuzz Head (New)

This fuzz pedal incorporates Keeley's reknown circuitry and design to give you rich saturated fuzz tones and the ability to switch between silicon and germanium transistors, for two different flavors of fuzzy goodness.

Keeley Magnetic Echo

Keeley Magnetic Echo ? The Mag-Echo pedal simulates tube tape echo sounds by using the delay circuit and a little bit of modulation. Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or ?Wow and Flutter? in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay ? Time, Regen, and Level and with the ?Wow and Flutter? controls ? Depth and Rate you can create some very vintage or rather unique tones.

Line 6 Relay G10

A Plug-and-Play Guitar Wireless System Line6 designed the Relay G10 instrument wireless system to be as easy to use as a conventional guitar cable. Simply plug the G10T transmitter into your guitar, bass, or other instrument and it automatically synchronizes with the receiver via the optimal wireless channel. Use the Relay G10 at home, rehearsals, in the studio?and it is compatible with all types of guitars and basses. Theres also a balanced XLR out in addition to the standard 1/4" output, for increased flexibility when connecting your G10 to recording interfaces, mixers, and other devices

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Livewire Latching Footswitch

Equivalent to the Roland FS-1 The FS-1 Foot Switch provides simple control of on/off functions like channel and effects switching on guitar amps.

Livewire Latching Footswitch

Equivalent to the Roland FS-1 The FS-1 Foot Switch provides simple control of on/off functions like channel and effects switching on guitar amps.

LP Bourne CTS Wiring Harness

M-Audio EX-P

When you want to get the most out of your performance, you need access to all of your instrument's tools. M-Audio's EX-P pedal unlocks the full dynamic potential of all of M-Audio's MIDI controllers that come equipped with an expression pedal input. When you use an EX-P expression pedal, you can instantly control any assignable variable MIDI controller value, including volume, pan, modulation, and many more. The solidly built EX-P is formed from durable-yet-lightweight molded plastic and has a textured, slip-resistant surface. It features an integrated 1/4" cable and a built-in polarity switch, so it will work with most brands of keyboards and controllers

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Mad Professor Mighty Red Distortion

MRD is a high-gain distortion pedal, which was modeled after the 80?s style compressed gain sounds. It is extremely easy (and a lot of fun) to play because its texture is adjusted to give clarity and definition also at heavy distortion. The gain range allows also low distortion sounds as well as stacking with other pedals, where an overdrive (preferably MP LGW) can pre-drive MRD for extreme and highly focused sounds. To get these gain levels with their impressive signal to noise ratio, we didnt use any noise gate or expander. Instead, we used special amplifier techniques and extremely low noise amplifier stages, which result in a natural decay and a rather high current consumption for a distortion pedal in view of battery operation. MRD has that 80?s sound many have longed for but never got before at such low noise levels and versatility. The Presence control was designed to control the upper treble, but not to affect the upper midrange, so that you can get the exact treble you desire. You can master anything from fat warm singing distortion to screaming cutting leads with the MRDs Presence control. Step into your spandex trousers and plug in the Mighty Red Distortion pedal!

Midvalley Controller

Controller is a huge overdrive/distortion. Voiced to sound like a high gain rectified tube amp. It has a good amount of gain, Excellent clean up and a very usable eq. With the mids knob you can go from a huge open mid range response to deep scooped metal tones. Controller is designed to sound great at loud volumes just like a tube amp and is a very smooth distortion which lets you play with ease. Turn down the gain knob and get a thick organic sounding overdrive. Fine tune it with the onboard active EQ to really shape your overall sound. Controller is an amp in the box pedal that can replace any solid state distortion or even be a backup to your tube amp distortion. Its powerful! Thick overdrive, Tight chugs, Scooped metal tones, Medium gain mid range bark for more alternative styles, Controller is very versatile for all genres of music. All hand wired and designed from scratch to ensure the most unique tones possible.

Mobius Timeline

You can switch 6 things I guess

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Morley Deluxe Distortion

A fantastic vintage distortion pedal that really sounds phenomenal. This deluxe version has a tone control which was not available on their other distortion. The tone sweep is huge on this pedal which would lend itself to also being used as a bass distortion. Controls are Distortion, Tone, and Output. This pedal uses a TL074 opamp based circuit and runs on two 9 volt batteries or an optional 12v AC adapter.

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MXR 10 Band EQ

No matter what your instrument, regain control of your tone with this incredible EQ. The MXR 10-Band Graphic EQ gives players huge amounts of tone shaping and level control in a bullet-proof enclosure. With ten carefully chosen frequencies and both input and output level controls, the 10-Band will let you tune your bass or guitar rig to any room in seconds; create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more.

MXR Distortion Plus

Can be set to produce low volume controllable distortion or increased to achieve a warm tube overdrive. Maxed out the pedal produces an extreme fuzz with long sustain.

MXR EVH 117 Flanger

The MXR EVH 117 Flanger was born from another partnership between Dunlop and rock legend Eddie Van Halen, putting a new spin on classic tone! Delivering the sound that defined such Van Halen tunes as "Unchained," and "And the Cradle Will Rock," you can bring that signature tone into your setup, now with even more sonic options than the original! Boasting the same sweeping, whooshing magic you'd expect from MXR's classic flanger, the EVH 117 Flanger includes a special "EVH" switch, instantly calling up Eddie's sound on "Unchained," with the exact same Manual, Speed, Width, and Regeneration settings he used. Adorned with the signature stripes from Eddie's instantly recognizable Frankenstein guitar, you get epic tone from the MXR EVH 117 Flanger!

MXR EVH 5150 Chorus

To achieve his legendary chorus effect on songs like "(Oh) Pretty Woman" and "Little Guitars," Eddie Van Halen relies on an equally legendary chorus pedal. MXR's EVH 5150 Chorus captures the sound of that classic effect with features tailored for modern rigs. A simple 3-knob layout makes this pedal a breeze to use. Input and Output Level switches optimize your signal-to-noise performance and achieve unity throughput gain. You also get switchable true/buffered bypass operation and Mono and Stereo outputs. Whether you use it to inject your playing with texture and dimension or combine it with high-gain tones for a way-huge sound, the 5150 Chorus is a pedalboard essentia

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Native Instruments Guitar Rig

The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware. Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in

Old Blood Alpha Haunt

Product Details Old Blood Noise Alpha Haunt Fuzz Pedal With its abundance of controls for crafting a wide range of fuzz tones, the Alpha Haunt from Old Blood Noise Endeavors is a perfect companion for distortion alchemists. After its limited release two years ago, the Alpha Haunt has been revisited and condensed down into a slightly smaller format, making it a bit more friendly to pedalboards without removing any of its versatile controls. The fuzz circuit itself offers several parameters, allowing for finer sculpting of overdriven and fuzz tones than you'll find on most other pedals. Gate and Tone affect the internal compression and timbral characteristics of the fuzz circuit, with toggle switches available to shift into different voicings via alternate Bias, Distortion, and LPF settings. And if your Alpha Haunt tones ever get too aggressive and undecipherable, the built-in Enhance boost runs parallel to the fuzz circuit, allowing for clarity and body to be easily added back into the sound. Topping it all off is a three-band graphic EQ, providing the final step in tone-shaping before the output. Tempt the dark side of your guitar or synthesizer with the OBNE Alpha Haunt fuzz.

OTraki DC10 Power Supply

UPGRADED - LOWER NOISE: Guitar pedal power supply built in a powerful noise filter and equipped with an upgraded power adapter, this pedal power supply is greatly improve noise problem. It is quiet for you to enjoy playing with clear and firm sound. 10 INDIVIDUAL OUTPUT: OTraki guitar power supply is designed for effect pedals. With 10 isolated output: 9V 100mA port x 7, 9V 500mA port x 1, 12V 100mA port x 1, 18V 100mA port x 1. Short circuit in one channel won't affect other channels' function.

Paul Cochrane Timmy V2

The Timmy Pedal by Paul Cochrane is an amazing overdrive that is known for it's ability to provide a transparent overdrive to your amplifier while retaining the amps original tone. It's a fairly common thing for an overdrive to color tone, so why invest in a $1500 plus amp only to change it's inherent sound, right? You could call the Timmy pedal the little brother to the much loved, but discontinued Tim, and to a degree, you'd be correct. It has essentially the same circuit, but doesn't have the send and return loop nor the boost section. It's also a bit smaller, saving that valuable pedal board real estate!

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Pedaltrai Mini

Perfect size for organizing small effects pedals Gig-proof construction Comes with soft case 3 easy transport options

Pedaltrain Nano

Nano is our smallest pedal board measuring in at 14" and is built using the same indestructible materials and methods as the rest of the Pedaltrain line. Included with purchase is our top-loading soft case with comfortable shoulder strap, and, as always, generous rolls of hook-and-loop. Soft case improvements introduce a metal zipper with a beefy pull tab, and a generous accessory pocket.

Peterson Strobo Stomp HD

Featuring the hugest display Peterson Tuners has ever designed into a pedal tuner, the StroboStomp HD rocks a high-definition LCD screen with a variable color LED backlight. Personalize the tuner with user-selectable colors to increase display viewing quality in different levels of ambient lighting depending on the usage environment. The vibrant screen colors look great and can also be assigned to stock or saved to user presets to significantly reduce menu navigation time and increase onstage tuning confidence at gigs. The StroboStomp HD has three modes of operation: silent pop-free true bypass, buffered output, and buffered monitor, to suit any setup scenario

Pigtronix Fat Drive

Compared to its Pigtronix siblings, the Fat Drive is a simple affair, just volume, gain, tone (turn it all the way up to disengage the tone circuit altogether) and a ?more? switch, which doubles the buzz. It comes with an 18 volt adapter for more headroom, but it works just fine on a standard 9 volt daisy chain and, in truth, its hard to tell the difference when you arent listening for it. The pedal is also smaller than its brethren, which means it doesnt take up too much space on a pedal board. This is good news, because it plays so well with others. For a full rhythm sound, just leave it on all the time, clicking in other effects at will. But it also works great as a lead boost in conjunction with another overdrive pedal.

Positive Grid Spark Go

The Positive Grid Spark GO battery-powered combo amplifier allows you to play whenever and wherever you want. Seamless integration with the Spark app provides immediate access to amps, pedals, auto chords, Smart Jam mode, 50,000 tones on the cloud and much more. At just 3.5" high, Spark GO delivers unexpectedly big sound for its size, taking up almost no space, but filling the entire room with stunning sound. Boundary-pushing computational audio creates the full, detailed tones of a much larger speaker. With rugged construction, extra hardshell grille and black strap, the Spark GO is designed to go anywhere, and even fits on your pedalboard.

Positive Grid Spark Neo

Spark NEO fuses Sparks award-winning smart amp technology with true wireless connectivity, delivering a seamless guitar experience that surrounds you with rich, detailed sound in premium headphones. With a suite of smart AI-powered features, precision-engineered sound, custom-designed audio drivers, and a full arsenal of gear, Spark NEO is designed with end-to-end precision for unmatched sound quality and performance

Railhammer Hyper Vintage

Bridge. Railhammer took the vintage PAF recipe and improved on it for the new millennium. Warm, open, lightly compressed, with chimey highs it has a softer mid attack, and overall more open tone than the Chisel. It's perfect for blues, classic rock, old school metal and punk, that "early EVH" sound, or for any player looking for a vintage vibe but wants the Railhammer advantage

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Railhlammer Hyper Vintage

Neck. Railhammer took the vintage PAF recipe and improved on it for the new millennium. Warm, open, lightly compressed, with chimey highs it has a softer mid attack, and overall more open tone than the Chisel. It's perfect for blues, classic rock, old school metal and punk, that "early EVH" sound, or for any player looking for a vintage vibe but wants the Railhammer advantage

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Rockerbox Thunder Boost

Boosts your thunder I guess

Rocktron Reaction Octaver

The Rocktron Reaction Octaver is a compact and rugged pedal designed to provide a classic octave-down effect for guitarists. It features a metal enclosure built to withstand heavy use and minimize space on pedalboards. The pedal is equipped with True Bypass switching, ensuring that when turned off, it is completely out of the signal path.

Roland GK-2A

Hex pickup for Roland Guitar synths.

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Schroeder TL Bridge

The Schroeder TL (tele style) Bridge is an excellent replacement for tele style bridges, or for use on custom instruments. The aluminum and brass construction provides warm, clear and bell like tone transfer from strings to the body of your guitar. The TL bridge is intended for use with string-through-body construction and either string ferrules or a ball end plate on the back of the guitar body.

Seymour Duncan Paranormal

The Seymour Duncan Paranormal Bass Direct Box gives you a dependable DI for your bass, as well as an active 3-band EQ for easy, effective tone tweaking. The Paranormal Bass Direct Box has a balanced line out XLR jack, allowing you to get your signal to the live mixer or recorder without compromising your signal. An active EQ section (as well as a Slap Contour switch with its own preset EQ curve) means you can get the sound you want before it leaves the stage. Take control of your bass guitar's direct tone with the Paranormal Bass Direct Box

Soldano Super lead Overdrive

Soldano's Legendary Fire Breather ? in a Pedal The Soldano Super Lead Overdrive Pedal packs the sound of its legendary SLO-100 tube amp into a pedalboard-ready stompbox. The original SLO was built upon a cascading-gain-stage design, arming guitarists with what's arguably the most detailed-sounding high-gain tones of all time. The SLO Pedal uses a similar topology, arming you with a nuanced character that's a dead ringer for the original amplifier. The stompbox's top-panel controls echo those of the amp that inspired it, with Volume, Presence, and Gain knobs, plus a 3-band EQ. You also get a side-mounted Deep switch for nailing the original amp's Depth-knob low-end punch. No matter what Soldano sound you're aiming for ? modern high-gain, early-'90s Van Halen or Lynch, or '80s-era Clapton or Knopfler ? the Super Lead Overdrive Pedal will nail it.Re-creates the legendary Soldano cascading-gain-stage tone In 1987, Mike Soldano created the renowned Super

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Source Tap Tempo

The Source Audio Tap Tempo Switch is a simple footswitch that adds significant functionality to every One Series pedal in the Source Audio collection. It offers on-the-fly tap tempo control over modulation rates for the Vertigo Tremolo, Lunar Phaser, Gemini Chorus, and Mercury Flanger as well as delay times for the Nemesis Delay. The Tap Tempo also makes it possible to externally scroll through presets on the Nemesis Delay, toggle between distortion engines on the L.A. Lady Overdrive, Kingmaker Fuzz, and AfterShock Bass Distortion, or render virtual knob changes to every One Series pedal. In addition, the Switch has a standard 1/4? output for use with compatible third-party products (normally open [NO], single pull/single throw (SPST)).

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Source Audio Vertigo

Discover the true spiraling and hypnotic potential of advanced stereo tremolo. The Vertigo offers three distinct tremolo effects. Normal tremolo delivers a divine renewal of the thumping ?opto trem? amplitude modulation found in vintage Blackface Fenders. Harmonic revives the haunting sway of the Fender Supers ?Vibrato? effect from the early 60s ? this vintage tremolo ping-pongs between a low and high frequency boost, creating a swinging phaser-ish effect. Finally, the sweetly overdriven Bias tremolo creates the swampy ?bias wiggle? of early tube bias modulation. The Vertigo takes the tonal possibilities a step further with its Shape knob, which allows users to morph the LFO wave shape from square, to sine or opto, to saw tooth.

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Spaceman Mission Control

Portlands own Spaceman Effects returns to the game with the Mission Control, featuring a fresh concept: sit as the central nervous system of your pedalboard and operate everything around it. Dialing in the Mission Control and stomping the Activate footswitch triggers attack and release times that you set. The built-in effects loop lets you insert any number of pedals into the path of the Mission Control and the analog VCA and accompanying envelope generator keeps the action nice and tight.

Stomptrap Regular Effects Holder

stomptrap? holds your guitar effects firmly at the side and prevents wobbling and tipping, because the footprint of your effects pedal is increased. With the included Velcro strips, stomptrap? is ready for your pedal board!

Strymon Sunset

Put the sound of the top six overdrive circuits of all time on your pedalboard, with the Strymon Sunset Dual Overdrive Pedal. Strymon analyzed six of the most legendary overdrive and boost circuits, then fine-tuned their voicings to cover the widest range of tones possible. Use any of the six overdrive circuits on its own, stack one channel into the other, or even use two overdrives in parallel for amazing harmonic complexity. Noise reduction is available as a secondary function to reduce hum or buzz when you're not playing. And with its premium Class A JFET input stage with up to 20dB of analog gain, the Strymon Sunset Dual Overdrive Pedal combines the best of analog and digital technology to address all your overdrive needs with impeccable fidelity.

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Taylor Beacon Tuner

Equipped with an onboard metronome, two timers, and even a built-in flashlight, Taylors Beacon is the Swiss Army knife of clip-on rechargeable tuners. This handy tool supplies precise, exacting tuning in both strobe and dot displays, enhanced by the high-visibility gleam of the TFT (Thin Film Transistor) LCD. Plus, the Beacon allows for effortless adjustment of your standard reference pitch from 430?450Hz. Frankly, Taylor could have called it a day from that point and still had a rock-solid clip-on tuner. However, what truly sets the Beacon apart is its extensive array of utility functions. The built-in metronome gives you access to 12 distinctive time signatures, along with a timer/countdown clock, to ensure a strict practice regimen. You even get a vivid flashlight function to illuminate sheet music on dark stages! Compact, accurate, and comprehensive, the Beacon spotlights Taylors forward-thinking design philosophy

TC Electronic Flasback Mini

A modern twist on the know-how and legacy of TC Electronic's legendary 2290 delay, featuring 7 seconds of delay and a cherry-picked selection of the very best delay sounds out there.

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TC Electronic Vintage Bass Distortion

Add extra punch and roar to your bass. The Vintage Bass Distortion will give you awe-inspiring distortion that preserves your natural musical expression while adding loads of hurling fuzz to the bottom. Apply grandiose sustain in normal mode, enriching the overtones and enlarging the bottom. Engage the boost and you're on the highway to Fuzz'n'Buzz. Control the blend of distortion and your original tone with the mix factor knob. Beware that you don't crush, bash and trash your amp with this bass peda

Tech 21 Double Drive

There is a good reason why many artists record and perform with several different amps running simultaneously. The best characteristics of each amp blend to create incredible and original tones. The Tech 21 Double Drive captures the lush, muscular power amp distortion of both Class A and Class A/B tube amps. Instead of just blending these tones, it feeds one into the other for massive ?cascading distortion and limitless tonal variation.

Tech 21 XXL

The humungous XXL is all about distortion ? obese, megalithic, dynamic distortion. The XXLs Warp control manipulates the structure and balance of odd and even harmonics, and influences the X-Factor?: the ratio of odd and even harmonics relative to the dynamics of your instrument and your playing style. You can achieve a variety of results, even within the same setting,depending on the manner and force of your pick attack. For instance, playing open and loose with Warp at max willyield a vintage fuzz tone. The same setting, when played in a tight, controlled manner, will yield more of a ?woman tone.? With the XXL, its not just what you play, its how you play it. The median point of Warp yields traditional distortion, well suited for chords and rhythm parts. Extreme settings work particularly well with individual notes making them smoother, fatter, thicker and juicier. At minimum settings there are higher amounts of even harmonics, producing an overdrive like that of a Class A tube amp. Warp? and the X-Factor? make it possible to go from ?Highway to Hell? to ?Bohemian Rhapsody? to ?Voodoo Child? at the turn of a knob

Tone Ink Red Briton

Red Briton is Tone Inks new ?Marshall in a Box?: a responsive drive pedal that ranges from a mild overdrive to a powerful distortion. It was designed for versatility, moving between tones that emulate the ?break-up point? of a JTM45 and the aggressive character of a JCM800.

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Universal Audio Woodrow

The UAFX Woodrow '55 Instrument Amplifier pedal gives you the legendary American tweed tube amp sounds used by artists and producers for decades, from The Eagles to Chuck Berry to Neil Young. Built on powerful dual-engine processing and UAD modeling expertise, the Woodrow '55 effects pedal packs sweet cleans, rich overdrive, and grungy distortion.

Walrus Fathom

The Walrus Audio Fathom reverb pedal features four unique reverb algorithms (hall, plate, lo-fi, sonar) and three levels of modulation. Controls include a Dampen knob to suppress high frequencies, X knob to adjust algorithm-specific parameters (Pre-delay and octave up/down mix), smart bypass switching, Sustain switch to momentarily increase the reverb time to near infinite, wet/dry mix knob and time adjustment.

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Wampler Black '65

Dive into the authentic tones of the '60s with the Wampler Black ?65, your ticket to the legendary Blackface sound without the need to hunt down a vintage amp. This compact overdrive pedal captures the essence of classics like The Twin, Vibrolux, or Deluxe Reverb, delivering that sought-after warmth and clarity with a twist of a knob. Perfect for players looking to add a touch of vintage flair to their setup, the Black ?65 offers amp-like breakup when you crank up the gain, giving you the dynamic responsiveness of those iconic amps. Whether you're riffing at home or setting the stage ablaze, this pedal is a bridge to the past, crafted with the modern musician in mind.

Wampler Gearbox

Gearbox features modified versions of two of Brian Wamplers best loved drive circuits: the Tumnus and the Pinnacle. This combination makes the Gearbox one of the most versatile dual pedals Wampler has ever created.

Zvex Box of Rock

The Box of Rock? simulates Zacharys favorite amp turned up all the way, a 1966 Marshall? JTM45. The tone control adjusts brightness and theres a high-headroom low-noise boost.

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